illuminated manuscripts

Posted in Art, Behind the Scenes, Education, J. Paul Getty Museum, Manuscripts and Books

Expanding Access: Devotion and Objects

blogDH0A1977

A medieval Qur’an and a study day for American Muslim scholars. More»

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Misconceptions about the Middle Ages, Debunked through Art History

The Trinity, Book of Planets, Anatomical Treatise, Liber synonimorum, shortly after 1464. German. J. Paul Getty Museum.
The Trinity, Book of Planets, Anatomical Treatise, Liber synonimorum, shortly after 1464. German. J. Paul Getty Museum.

It’s all fun and games until somebody gets clubbed. More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Manuscripts and Books

#GettyCloser to Art Behind the Scenes

Small_GettyCloser

Calling all art nerds for our next behind-the-scenes tweetup. More»

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Medieval Meditations on the Human Condition

Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso
Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso

In honor of Day With(out) Art, a selection of images that make us more human. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

The Ghost That Wasn’t There

A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7
A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7

What does an invisible ghost look like? Um, well, like this. More»

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Posted in Behind the Scenes, Education, Exhibitions and Installations, Manuscripts and Books

Museum Visitors Write the Rules of 21st-Century Chivalry

Be Aware of Others

Visitors common-sense (and sometimes hilarious) rules for 21st-century behavior. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

Delightfully Horrifying Manuscript Illuminations

Halloween5

Selections from the collection for Halloween. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books, Photographs, Film, and Video

See Authentic Medieval Hand-to-Hand Combat in New Video

Details of two men fighting with swords in the medieval manuscript Flower of Battle
Combat with Sword (detail) in Fiore Furlan dei Liberi da Premariacco, The Flower of Battle, The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v

A new video brings 15th-century fighting moves to life. More»

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The Art of Seduction

A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v
A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v

Is this medieval book a warning lesson, or a shocking incitement to sin? More»

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Posted in Behind the Scenes, Exhibitions and Installations

A Curator “Visits” the Getty

A child dressed in chain mail at a Getty Center family festival
Kids aren't the only ones who know how to have fun on a Saturday at the museum. The faux-medieval chain mail helps, though.

Does a scholar of manuscripts art enjoy jousting, storytelling, and fun hats? Of course! More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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