illuminated manuscripts

Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Talking the Global Middle Ages with Curator Bryan Keene

Bryan Keene

Curator Bryan Keene takes questions from inquiring Instagrammers More»

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Posted in Art, Scholarship

Global Pathways through Medieval Manuscripts and the Modern Museum

Global inspiration from the Getty permanent collection.
Global inspiration from the Getty permanent collection.

Contextualizing early book arts in world history. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

Who’s More Gluttonous, the Rich or the Poor?

The Temperate and the Intemperate in The Memorable Deeds and Sayings of the Romans, about 1475–80, Master of the Dresden Prayer Book, artist, Valerius Maximus, author. Tempera colors and ink on parchment, 6 7/8 x 7 5/8 in. The J. Paul Getty Museum, Ms. 43, recto
The Temperate and the Intemperate in The Memorable Deeds and Sayings of the Romans, about 1475–80, Master of the Dresden Prayer Book, artist, Valerius Maximus, author. Tempera colors and ink on parchment, 6 7/8 x 7 5/8 in. The J. Paul Getty Museum, Ms. 43, recto

The worst sin? Illuminated manuscripts present two different perceptions of gluttony. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books, Scholarship

Heraldry Illuminated: Deciphering Coats of Arms and other Manuscript Mysteries

A Young Knight in Armor Kneeling in Prayer before Saint Anthony, Dreux Jean, from The Invention and Translation of the Body of Saint Anthony, about 1465-70. The J. Paul Getty Museum, Ms. Ludwig XI 8, fol. 50
A Young Knight in Armor Kneeling in Prayer before Saint Anthony, Dreux Jean, from The Invention and Translation of the Body of Saint Anthony, about 1465-70. The J. Paul Getty Museum, Ms. Ludwig XI 8, fol. 50

Help us solve a heraldry mystery. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

7 Things to Look for in Paintings of the Last Supper

The Last Supper, about 1525–30, Simon Bening. Tempera colors, gold paint, and gold leaf on parchment; 6 5/8 x 4 1/2 in. The J. Paul Getty Museum, Ms. Ludwig IX 19, fol. 83v
The Last Supper, about 1525–30, Simon Bening. Tempera colors, gold paint, and gold leaf on parchment; 6 5/8 x 4 1/2 in. The J. Paul Getty Museum, Ms. Ludwig IX 19, fol. 83v

Things to know to decipher the images in one of the most depicted subjects in the history of art More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

Star Wars and Medieval Manuscripts

A Star Wars-inspired tour of celestial images in our manuscripts collection. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books, Miscellaneous

Noodles Fit for the Mother of God

Detail of Joseph cooking in a Renaissance manuscript

A food historian recreates a dish that Mother Mary may have been served. More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

Why Aren’t People Eating in Medieval Depictions of Feasts?

Temperate and the Intemperate, Master of the Dresden Prayer Book, miniature from Valerius Maximus, The Memorable Deeds and Sayings of the Romans, Bruges, about 1470-80, The J. Paul Getty Museum, Ms. 43, recto
Temperate and the Intemperate, Master of the Dresden Prayer Book, miniature from Valerius Maximus, The Memorable Deeds and Sayings of the Romans, Bruges, about 1470-80, The J. Paul Getty Museum, Ms. 43, recto

The medieval struggle to resist sin. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

Medieval Mysteries: Considering a Recent Acquisition

The Rejection of Joachim and Anna’s Offering, leaf from a book of hours, about 1410–30, attributed to the Rohan Master or immediate circle. Tempera colors and gold on parchment, 10 ¼ x 7 5/16 in. The J. Paul Getty Museum, Ms. 112, recto
The Rejection of Joachim and Anna’s Offering, leaf from a book of hours, about 1410–30, attributed to the Rohan Master or immediate circle. Tempera colors and gold on parchment, 10 ¼ x 7 5/16 in. The J. Paul Getty Museum, Ms. 112, recto

A manuscript page bursting with art historical mysteries. More»

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Posted in J. Paul Getty Museum, Manuscripts and Books

Medieval Manuscripts and Digital Curation

Eat, Drink, and Be Merry virtual exhibition

From tasty to terrifying, three virtual exhibits explore the wealth of illuminated manuscripts. More»

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      Gauguin’s Monotypes

      Gauguin is known for his paintings, but also was a skilled maker of the traced monotype. The pencil drawing shows the marks and gestures that Gauguin used to produce the monotype which evokes the erotic dreamscapes that characterize so much of his later work.

      Does the head look familiar? Maybe you’ve seen this horned figure before?

      See more of Gauguin’s monotypes for free from the @philamuseum here, made available through the Getty Research Portal.


      This week’s pick from the Getty Research Portal, a one-stop shop for public domain art history books.

      02/12/16

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