Peter Paul Rubens and the Arts of Antiquity

Getty Art + Ideas
Getty Art + Ideas
Peter Paul Rubens and the Arts of Antiquity
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“I think it just shows very well how Rubens worked, how he got the inspiration from antiquity, but he transforms it into something completely new and very alive.”

The Flemish Baroque painter Peter Paul Rubens is most famous for his dynamic, colorful renderings of religious scenes and mythological stories. Yet Rubens’s work was also deeply inspired by the art of the past. He was a keen student of classical antiquity, engaging with ancient sculptures, coins, gems, and cameos both at home and in his travels through Italy. His friendships with antiquarians, patrons, and scholars provided a network for vibrant intellectual exchanges that informed the artist’s work.

In this episode, Getty curators Anne T. Woollett, Davide Gasparotto, and Jeffrey Spier discuss their exhibition Rubens: Picturing Antiquity, which explores how Rubens was affected by and, in turn, transformed the classical past in his paintings, drawings, and designs. The exhibition, which received major support from Jo Carole and Ronald S. Lauder and generous support from the Leonetti/O’Connell Family Foundation, is on view at the Getty Villa through January 24, 2022.

For images, transcripts, and more, visit https://blogs.getty.edu/iris/podcast-peter-paul-rubens-and-the-arts-of-antiquity or http://www.getty.edu/podcasts/

More to explore:

Explore the exhibition Rubens: Picturing Antiquity here: https://www.getty.edu/art/exhibitions/rubens_antiquity/explore.html

Buy the book Rubens: Picturing Antiquity here: https://shop.getty.edu/products/rubens-picturing-antiquity-978-1606066706

Conserving Bagan in a Time of Uncertainty

Getty Art + Ideas
Getty Art + Ideas
Conserving Bagan in a Time of Uncertainty
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“Bagan is actually a splendid site. You can imagine in only in this, like, fifty square kilometers, they have more than 3,000 monuments. And then all the monuments have different styles and different architecture.”

The ancient past of Bagan, Myanmar, is still visible today in the more than 3,000 temples, monasteries, and works of art and architecture that remain at the site. Beginning around 1000 CE, Bagan served as the capital city of the Pagan Kingdom. Many of the surviving monuments date from the 11th to 13th centuries. A number of these temples are still used by worshippers and pilgrims today. A 2016 earthquake, which damaged over 400 structures, brought renewed international attention to Bagan and its future.

In February 2020, a team from the Getty Conservation Institute (GCI) returned from doing intensive preparatory work with international and local colleagues in Bagan to launch a long-term conservation project there. Soon after, the worldwide outbreak of COVID-19 closed borders and halted travel. In February 2021, a coup d’état staged by the Burmese Military plunged the country into further uncertainty.

In this episode, Susan Macdonald, head of Buildings and Sites at the GCI, and Ohnmar Myo, the GCI’s consultant in Myanmar, discuss the history of Bagan, the demands and challenges of conservation there, and their hopes for the future of the site. Myo is a former project officer of the Cultural Unit, UNESCO, and was a principal preparator of the report that confirmed Bagan’s World Heritage Site status in 2019. This conversation was recorded in January 2021, under very different circumstances, but it captures the curiosity, ambitions, optimism, and collaborative spirit that guided the project at that time.

To learn more about the Getty Conservation Institute’s Bagan Conservation Project, visit https://www.getty.edu/conservation/our_projects/field_projects/bagan/index.html

To read more about Bagan, visit http://blogs.getty.edu/iris/bagan-getty-partners-conserve-ancient-site/