Contextualizing the Nude in Renaissance Painting, Sculpture, and Drawing

Getty Art + Ideas
Getty Art + Ideas
Contextualizing the Nude in Renaissance Painting, Sculpture, and Drawing
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The nude human figure, both male and female, has been central to European art for centuries. During the Renaissance of the 1400s and 1500s, artists across Europe used the nude to explore religion, nature, human relationships, and beauty itself. But artists’ approach to the nude were not monolithic, nor were these works received without considerable controversy. Although created long ago, these works continue to inform contemporary attitudes toward the nude human figure in art.

The exhibition The Renaissance Nude, on view first at the Getty before moving to the Royal Academy in London, explores the development and deployment of the naturalistic nude, as well as the contexts in which these works were created and received. In this episode, curator Thomas Kren discusses this incredible exhibition.

The Salk Institute Part 2: Conservation for the Future

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Getty Art + Ideas
The Salk Institute Part 2: Conservation for the Future
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The Salk Institute opened in La Jolla, California, in 1963, with striking buildings of concrete and earthy wood lining a travertine plaza and overlooking the Pacific Ocean. But within a few years, the buildings began to weather badly, causing unsightly effects that led to inadequate conservation efforts. In 2013, fifty years after the Institute opened, the Getty Conservation Institute began a multi-year process to understand the challenges posed by aging, repair the damage, and plan for the future of the site.

In this episode, Susan Macdonald, head of Getty Conservation Institute Field Projects, and Thomas Albright, Professor and Director of the Salk Institute’s Vision Center Laboratory, discuss the conservation of the Salk Institute and the architecture’s impact on the science performed there.

The Salk Institute Part 1: Founding and Forming

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Getty Art + Ideas
The Salk Institute Part 1: Founding and Forming
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Shortly after inventing the polio vaccine, scientist Jonas Salk set his sights on another groundbreaking undertaking: creating an institute where science and art could meet and inform each other. In architect Louis Kahn, Salk found a man who not only shared this vision, but who was capable of designing the space to support it. The Salk Institute’s monumental modernist buildings and plaza, located on a cliff overlooking the Pacific Ocean, are the result of this collaboration.

In this episode, Jonathan Salk and Nathaniel Kahn, sons of Jonas Salk and Louis Kahn respectively, discuss their fathers’ relationship to each other and to the Salk Institute.

India & the World with curator Naman Ahuja

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Getty Art + Ideas
India & the World with curator Naman Ahuja
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The exhibition India & the World: A History in Nine Stories has an ambitious goal: to use objects to chronicle cultural, economic, and artistic exchange and influence between India and the world. From four-thousand-year-old seals from the Indus Valley found thousands of miles from where they were created to contemporary works of art made out of money and concrete, the wide-ranging exhibition centers on India to address our shared human experiences.

In this episode, Naman Ahuja, professor of the history of art at the Jawaharlal Nehru University in New Delhi, India, describes the curatorial process for this multi-venue, multilingual exhibition and touches on some of the key objects on display.

Palmyra: Loss and Remembrance

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Getty Art + Ideas
Palmyra: Loss and Remembrance
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During its heyday from the first to third centuries CE, the ancient city of Palmyra flourished as a crossroads of Eastern and Western people, goods, and cultures. The unique blend of Eastern and Western influence on Palmyrene society remains visible in the elaborate funerary relief portraits carved to commemorate loved ones. In this episode, we tour an exhibition of Palmyrene funerary portraiture, on loan from the Ny Carlsberg Glyptotek in Copenhagen and Stanford University, with curator of antiquities Ken Lapatin and Getty guest scholar Rubina Raja, who is professor of classical archaeology at Aarhus University, Denmark.

Robert Polidori and the Getty Museum

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Getty Art + Ideas
Robert Polidori and the Getty Museum
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Before the Getty Center opened to the public in 1997, photographer Robert Polidori captured the half-installed galleries and impressive architecture of the museum while on an assignment from The New Yorker. With brilliant colors and beautiful light, these images provide striking behind-the-scenes views of the curatorial process. In this episode, Polidori discusses these photographs of the Getty, touching on his artistic philosophies, creative process, and career.

Julien Stock on Discovering a New Michelangelo

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Getty Art + Ideas
Julien Stock on Discovering a New Michelangelo
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In the late 1990s, Old Master drawings expert Julien Stock made an incredible discovery—a previously unknown Michelangelo drawing. Hiding in an unmarked book at England’s Castle Howard, the study of a mourning woman from early in Michelangelo’s career had not been seen for generations. This drawing is now part of the Getty Museum’s collection. In this episode, Stock tells the story of this discovery and the process of verifying the authenticity of his remarkable find.

The Lives of Vincent van Gogh and Édouard Manet

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Getty Art + Ideas
The Lives of Vincent van Gogh and Édouard Manet
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In this episode, curator Scott Allan discusses two artist biographies: one of Édouard Manet by author and art critic Émile Zola and the other of Vincent van Gogh written by his sister in law Jo van Gogh-Bonger. Both artists proved controversial or difficult during their lifetimes, and these accounts, written by people who knew them well, provide insight into their lives and their art. These texts have recently been published as short books as part of the Getty Publications Lives of the Artists series. Scott Allan is curator of paintings at the J. Paul Getty Museum.

Lives of the Artists: Rilke on Rodin

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Getty Art + Ideas
Lives of the Artists: Rilke on Rodin
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In 1902, Austrian poet Rainer Maria Rilke visited sculptor August Rodin in Paris to write an essay on the artist for a new series of German monographs. Writing with his usual intensity, Rilke’s poetic language and passion for Rodin’s art make this an engaging account of the artist’s life and work. Curator Anne-Lise Desmas discusses this text and Rodin’s career, addressing the personal relationship between the two men, Rodin’s unusual artistic process, and the reception of Rodin’s art in his time. Rilke’s 1902 essay has recently been published in a short book as part of the Getty Publications Lives of the Artists series. Anne-Lise Desmas is senior curator of sculpture and decorative arts at the J. Paul Getty Museum.

Beyond the Nile: Egypt and the Classical World

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Getty Art + Ideas
Beyond the Nile: Egypt and the Classical World
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A towering sarcophagus for a man with a Grecian name, an ancient medical scroll that details Mycenaean cures in Egyptian hieroglyphics, and a Roman mosaic illustrating scenes from the Nile are just a few of the incredible objects that tell the story of sustained trade and cultural exchange between Egypt and Classical Greece and Rome. The Getty Center exhibition Beyond the Nile: Egypt and the Classical World centers on this artistic exchange and in this episode, exhibition curators Timothy Potts and Jeffrey Spier explore some of the exhibition’s highlights.

Timothy Potts is director of the J. Paul Getty Museum; Jeffrey Spier is senior curator and department head of antiquities at the Getty Museum.