Getty Villa, J. Paul Getty Museum

An Interview with the Creative Team behind Euripides’ “Helen” at the Getty Villa

“It’s a whole lot of fun to roll up to rehearse at the Getty Villa on a daily basis,” says Maxwell Caulfield, the actor headlining the Getty Villa’s outdoor theater production of Euripides’ Helen, presented by Playwrights’ Arena. In this behind-the-scenes interview, Maxwell joins fellow actor Rachel Sorsa (Helen), director Jon Lawrence Rivera, and Nick Salamone, author of the adaptation, to discuss developing this fresh new version of Euripides’ rarely performed “non-tragedy,” which presents an alternative history of Helen of Troy.

If you’re expecting a typical ancient Greek play, think again. In the video above, Rachel describes its very contemporary appeal and says, “It’s got something for everyone: it’s got the romance, it’s got the madcap comedy, pathos, history, beautiful girls, half-naked men, [and] a beautiful score.”

Nick describes his new adaptation, which is set at the end of Hollywood’s Golden Age, as nevertheless faithful to the essence of Euripides’ classical text: “Every plot point, every given, every character, the funniest jokes, were all in the original play…we just gave it a framework so [an audience] could enter into it fresh.”

To his knowledge there has never been an American adaptation of Helen, Nick reveals as he further discusses the adaptation in this second video. Classified as neither comedy nor tragedy, the play, Nick says, comes closer in tone to modern melodrama. In Helen, he says, Euripides was “combining forms and breaking the mold.”

Performances start September 6 and run until September 29. You can order tickets and find more information about the production here.

Tagged , , , , , , , , , , Bookmark the permalink. Post a comment or leave a trackback: Trackback URL.

2 Comments

  1. Posted August 31, 2012 at 2:03 pm | Permalink

    I wish I could attend. After ‘Helen of Troy’ and ‘Women of Troy’, any planning to bring Euripides’ Hippolutos? So much better than Racine’s Phaedra.

Post a Comment

Your email is never published or shared. Required fields are marked *

*
*

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      What did death mean in Ancient life?

      An exhibition that looks at death and funerary practice through thirteen elaborate Apulian vases from Southern Italy now on view in Dangerous Perfection: Funerary Vases from Southern Italy!

      Funerary Vessel , South Italian, from Apulia, 340-310 B.C., terracotta red-figured volute krater< attributed to the Phrixos Group. Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      Funerary Vessel, South Italian, from Apulia, 350-325 B.C., terracotta red figured amphora attributed to the Darius Painter (the Hecuba Sub-Group).Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      11/22/14

  • Flickr