About: Beth Guynn

I’m a senior archival cataloger at the Getty Research Institute. I catalog or supervise the cataloging of our rare photographs and photography-related archives, which range from the mid-19th-century to the present. I'm currently supervising the processing and cataloging of the recently acquired Robert Mapplethorpe Photographs and Papers, and am cataloging the Harry Lunn Papers. I co-curated the GRI exhibition Obsidian Mirror-Travels: Refracting Ancient Mexican Art and Archaeology, and have recently curated an exhibition at the Los Angeles Public Library, A Nation Emerges: the Mexican Revolution Revealed.

Posts by Beth

Posted in Art, Exhibitions and Installations, Getty Research Institute, Photographs, Film, and Video

Faces of the Mexican Revolution

General Francisco (Pancho) Villa / D. W. Hoffman

When we think of the Mexican Revolution, many of us probably conjure up images of Pancho Villa or Emiliano Zapata, two of the most well-known figures from the ten-year civil war (1910-1920) that raged across Mexico during the early years… More»

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      #ProvenancePeek: Winslow Homer at the Met

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      The provenance of this Winslow Homer marine, or seascape, is relatively straightforward as these things go. It was entered into the stock books of M. Knoedler and Co, prominent New York art dealers, in October of 1901. Knoedler & Co purchased the painting, titled Cannon Rock, from Chicago pastor and educator Dr. Frank Gunsaulus on October 24, 1901. Just over two weeks later, on November 9, the firm sold it to art collector and dry goods merchant George Arnold Hearn. Hearn made a gift of his collection to the Metropolitan Museum of Art in 1906, and that is where Cannon Rock has lived ever since.

      This seascape is one of Homer’s later works, notable for its flatness. Homer spent the last 25 years of his life living in coastal Maine, painting land- and seascapes that both respect and challenge nature’s authority. Cannon Rock’s mellow provenance tale belies the powerful scene it presents.

      The stock books of the Knoedler Gallery have recently been transformed into a searchable database which anyone can query for free.

      Cannon Rock, 1895, Winslow Homer. Oil on canvas, 40 x 40 in. The Metropolitan Museum of Art, New York, Gift of George A. Hearn, 1906 (above); pages from the Knoedler stock and sales books listing the painting (below).


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.


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