About: Chelsea Chenelle

I'm the Multicultural Undergraduate Intern for summer 2014 in the Getty's Web Group. Born and raised in San Diego, I came to L.A. to attend Loyola Marymount University, where I am pursuing a degree in art history and work as the managing editor at the Los Angeles Loyolan. I still haven't decided what came first—my love of art or my love of history.

Posts by Chelsea

Posted in Art, Exhibitions and Installations, J. Paul Getty Museum

Curator’s Talk on James Ensor Is a Gas

James_Ensor2

What you need to know about James Ensor, in 12 minutes. More»

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Posted in Ancient World, Antiquities, J. Paul Getty Museum

Acrobatic Feats of the Ancient Wine Party

Fragmentary Mug with a Youth Drinking from a Wine Cup, 510–500 B.C., attributed to near the Theseus Painter, vase-painter; and to the Heron Class, potter. Greek, made in Athens. Terracotta, 6 1/4 in. high. The J. Paul Getty Museum, 76.AE.127. Gift of Lynda and Max Palevsky
Fragmentary Mug with a Youth Drinking from a Wine Cup, 510–500 B.C., attributed to near the Theseus Painter, vase-painter; and to the Heron Class, potter. Greek, made in Athens. Terracotta, 6 1/4 in. high. The J. Paul Getty Museum, 76.AE.127. Gift of Lynda and Max Palevsky

Wine makes a man do strange things. More»

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Posted in Art, Education, J. Paul Getty Museum, Manuscripts and Books

A Better World through Chivalry

A boy is never too young to practice being a gentleman.
 
Initial T: The Apostles; Boys Playing a Game, about 1320-25, in Breviary. The J. Paul Getty Museum, Ms. Ludwig IX 2, fols. 356v–357.
A boy is never too young to practice being a gentleman. Initial T: The Apostles; Boys Playing a Game, about 1320-25, in Breviary. The J. Paul Getty Museum, Ms. Ludwig IX 2, fols. 356v–357.

Chivalry gets a 21st-century, multi-generational spin through these artists’ workshops. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

“The Chivalry Project” Remakes Chivalry for the 21st Century

The Chivalry Project

Contribute to a collective digital rulebook, now through November 30. More»

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      Vermeer’s interiors make possible a sort of encounter in which the painting completely disappears in the viewing, and the viewer is what is seen into, and this is the key to Vermeer’s true design and the source of his work’s mystery.“

      —poet Michael White

      The Milkmaid, ca, 1660. Rijksmuseum, Amsterdam

      Woman Reading a Letter, ca. 1663. Rijksmuseum, Amsterdam

      Young Woman with a Water Pitcher, ca. 1662. The Metropolitan Museum of Art, Marquand Collection, Gift of Henry G. Marquand, 1889. www.metmuseum.org

      03/28/15

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