About: Laura Dominguez and Suzanne Noruschat

Laura Dominguez I've been a library assistant in special collections cataloging at the Getty Research Institute since March 2011, processing the papers and drawings of architects Ray Kappe and William Krisel. I have a B.A. in architectural history from Columbia University, and I am currently a second year student in the Master of Historic Preservation program at the University of Southern California. My research interests include the California Arts and Crafts movement, midcentury modernism and culture in Los Angeles, and more recent developments of cultural heritage and preservation movements in ethnic enclaves. Suzanne Noruschat I’m a library assistant in special collections cataloging at the Getty Research Institute. I’m responsible for processing and cataloging two collections of architecture records, the papers and drawings of Los Angeles architects Ray Kappe and William Krisel. I recently completed a master’s degree in Library and Information Science at the University of California, Los Angeles, with a specialization in archival studies. I also hold a Ph.D. in architectural history from Emory University and have taught art and architectural history for almost a decade.

Posts by Laura Dominguez and

Posted in Architecture and Design, Art, Getty Research Institute

Treasures from the Vault: Ray Kappe, Green Architecture Pioneer and SCI-ARC Founder

Architectural rendering of the Kappe residence. Ray Kappe papers, drawings, and models. The Getty Research Institute, 2008.M.36
Architectural rendering of the Kappe residence. Pacific Palisades, California. Ray Kappe, architect. Ray Kappe papers. Gift of Ray Kappe. The Getty Research Institute, 2008.M.36

Researchers interested in studying post-World War II architecture in Southern California will be excited to learn that a new archive is now fully catalogued and available for study: the Ray Kappe papers. The collection, part of the Getty Research Institute’s… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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