About: Emily Beeny

I'm a curatorial assistant in the Department of Paintings at the Getty Museum, where, since 2009, I've worked on new acquisitions, special exhibitions, and a forthcoming online catalogue of the permanent collection. When not busy writing gallery labels, I continue to chip away at a Ph.D. in art history at Columbia University.

Posts by Emily

Posted in Art, Behind the Scenes, J. Paul Getty Museum, Paintings

Labeling Turner

Modern Rome–Campo Vaccino, Joseph Mallord William Turner (English, 1775–1851), 1839. Oil on canvas, 36 1/8 x 48 1/4 in. (unframed), 48 1/4 x 60 3/8 x 4 3/8 in. (framed). The J. Paul Getty Museum, 2011.6

Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated to haiku. How, in fewer than 100 words, do you capture the essence of an object,… More»

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      “Though I called them satyrs, they showed nothing of the satyr except little horns and a goatish head; all the rest of their form was human.”

      A satyr designed by Benvenuto Cellini, but cast by an unknown artist. Cellini was fired from his palace gig and left his wax molds behind. 

      04/19/15

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