About: Elie Glyn

I’m a junior designer at the J. Paul Getty Museum, working at both the Getty Center and Villa. In addition to Sicily: Art and Invention between Greece and Rome, recent exhibitions I've worked on include Gustav Klimt: The Magic of Line, The Life of Art; and Lyonel Feininger: Photographs, 1928–1939. My job is to help create the look and feel of an exhibition experience, to present artwork in its best light along with interpretive graphics, and to design a promotional campaign that entices potential visitors. I’ve been working for the Getty for three years, and have a Bachelor of Fine Arts degree from the Rhode Island School of Design.

Posts by Elie

Posted in Antiquities, Architecture and Design, Exhibitions and Installations, Getty Villa, J. Paul Getty Museum

Ancient Sicilian Coins: Miniature Masterpieces, Full-Scale Challenges

Coin with Nike Driving a Four-Horse Chariot
Royal Library of Belgium—Coin Cabinet

The designer of the Sicily exhibition at the Getty Villa reveals the challenges of displaying small, double-sided, intricate objects—coins. More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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