About: Eric Hormell

I'm a database editor for the Getty Research Institute's Project for the Study of Collecting and Provenance. Most recently I've been working on a project related to eighteenth-century British auction catalogs. I'm an art historian and a certified archivist, but I also have an undergraduate degree in fashion design, which has absolutely never come in handy. When I'm not at work, I'm usually watching House Hunters International. It's exhausting, but someone has to do it.

Posts by Eric

Posted in Art, Behind the Scenes, Getty Research Institute, Paintings, Research

Life Before eBay: British Art Auctions at the End of the 18th Century

britishsales_featured

A major new project traces the rise of the British art market in the late 1700s. More»

Tagged , , , , , 2 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

  • Flickr