About: Erene Rafik Morcos

I’m a curatorial assistant in the Department of Manuscripts at the J. Paul Getty Museum, and perform an assortment of curatorial duties with our manuscripts including coordinating documentation initiatives for new acquisitions, hunting down and compiling bibliographic information about the pieces in our collection, and co-curating a manuscript exhibition: Gothic Grandeur: Manuscript Illumination 1200–1350. I hold a bachelor’s degree with concentrations in both architecture and art history from Yale University and am currently contemplating my next academic steps.

Posts by Erene

Posted in Behind the Scenes, Getty Foundation, Manuscripts and Books, Philanthropy

Putting the Pieces Together: A Multicultural Undergraduate Internship

Erene Morcos at the entrance to the Getty Center manuscripts exhibition Gothic Grandeur

My relationship with the Getty began when I was still an undergrad studying architecture and the history of art. As a junior I applied for the Multicultural Undergraduate Internship offered by the Getty Foundation, and was thrilled to receive an… More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Manuscripts and Books

Time for a Manuscript Close-Up! Welcoming the Abbey Bible to the Museum

Erene Rafik Morcos documenting the Abbey Bible in the Manuscripts Study Room at the J. Paul Getty Museum

The 13th-century illuminated manuscript known as the Abbey Bible recently joined the collection of the Getty Museum—and when the special book arrived, the task of documenting it fell to me. This meant I had to spend a lot of time… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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