About: Glenn Phillips

As a consulting curator at the Getty Research Institute, I specialize in postwar and contemporary art, including video, performance, and other time-based practices. I've organized the exhibitions California Video and Evidence of Movement, as well as several video series, including "Pioneers of Brazilian Video Art, 1973–1983," "Surveying the Border: Three Decades of Video Art about the United States and Mexico", "Reckless Behavior", and "Radical Communication: Japanese Video Art, 1968–1988". I came to the Getty from the Whitney Museum of American Art, where I worked on exhibitions about contemporary art and video.

Posts by Glenn

Posted in Art, Getty Research Institute, Paintings, Research

Frederick Hammersley Foundation Donates Archive to the Getty Research Institute

Page from Notebook 3 / Frederick Hammersley
Page from Notebook 3, Frederick Hammersley, 1978. Artwork © Frederick Hammersley Foundation

“Despite their precise lines and construction, Hammersley’s work displays a personal touch, guided by his belief in intuition as an important principle for art making.” More»

Tagged , , , , , , Leave a comment
Posted in Behind the Scenes

Join Suzanne Lacy to Demand that #RapeEndsHere

Suzanne Lacy with the Rape Map at LAPD headquarters, January 2012

January 19 is the official launch of the Pacific Standard Time Performance and Public Art Festival. But it’s already unofficially begun, not only with pre-festival events last night at LAXART and tonight at the Getty Center, but also with what… More»

Tagged , , , , , , , , , , , 1 Response
Posted in Behind the Scenes, Getty Research Institute

Fire and Ice: Artists Get Ready for the Pacific Standard Time Festival

A visitor admires one of the original Disappearing Environments structures in 1968. Photo: Lloyd Hamrol

From January 19 to 29, the Pacific Standard Time Performance and Public Art Festival will present more than 30 new public art commissions and re-invented works of performance art inspired by the amazing history of art in Southern California. As… More»

Tagged , , , , , , , , , , , Leave a comment
Posted in Photographs, Film, and Video

Sincerity Is the New Radical: Bravo’s Work of Art

Still from Nao Bustamante's Sans Gravity

I sat down last Wednesday night with some trepidation to watch the premiere of Bravo’s new reality show Work of Art: The Next Great Artist. For most artists and arts professionals, the show was a harrowing prospect—how can the artistic… More»

Tagged , , 4 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      Olympian Census #3: Poseidon

      Get the stats on your favorite (and not-so-favorite) gods and goddesses on view at the Getty Center.

      Roman name: Neptune

      Employment: God of the Sea

      Place of residence: A fancy palace somewhere in the Aegean Sea

      Parents: Cronus and Rhea

      Marital status: Married to Amphitrite, a sea goddess, but had many affairs just like his brother Zeus

      Offspring: Had many children including Triton, Theseus, Orion, Polyphemos and Arion

      Symbol: Trident, horse, and dolphin

      Special talent: Starting earthquakes & Shapeshifting into a horse to pursue women

      Highlights reel:

      • When Goddess Demeter turned into a mare to escape Poseidon’s pursuit, Poseidon also turned into a horse and mated with her, creating a talking horse baby, Arion.
      • Athena became the patron goddess of Athens over Poseidon by giving the city an olive tree, which produced wood, oil, and food. Poseidon had given them a salt-water spring. Nice going, Poseidon.
      • Poseidon cursed Olysseus to wander the seas for 10 years after the Trojan War in revenge for Olysseus blinding his son, the cyclops Poplyphemos.

      Olympian Census is a 12-part series profiling gods in art at the Getty Center.

      07/27/15

  • Flickr