About: Glenn Phillips

As a consulting curator at the Getty Research Institute, I specialize in postwar and contemporary art, including video, performance, and other time-based practices. I've organized the exhibitions California Video and Evidence of Movement, as well as several video series, including "Pioneers of Brazilian Video Art, 1973–1983," "Surveying the Border: Three Decades of Video Art about the United States and Mexico", "Reckless Behavior", and "Radical Communication: Japanese Video Art, 1968–1988". I came to the Getty from the Whitney Museum of American Art, where I worked on exhibitions about contemporary art and video.

Posts by Glenn

Posted in Art, Getty Research Institute, Paintings, Research

Frederick Hammersley Foundation Donates Archive to the Getty Research Institute

Page from Notebook 3 / Frederick Hammersley
Page from Notebook 3, Frederick Hammersley, 1978. Artwork © Frederick Hammersley Foundation

“Despite their precise lines and construction, Hammersley’s work displays a personal touch, guided by his belief in intuition as an important principle for art making.” More»

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Posted in Behind the Scenes

Join Suzanne Lacy to Demand that #RapeEndsHere

Suzanne Lacy with the Rape Map at LAPD headquarters, January 2012

January 19 is the official launch of the Pacific Standard Time Performance and Public Art Festival. But it’s already unofficially begun, not only with pre-festival events last night at LAXART and tonight at the Getty Center, but also with what… More»

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Posted in Behind the Scenes, Getty Research Institute

Fire and Ice: Artists Get Ready for the Pacific Standard Time Festival

A visitor admires one of the original Disappearing Environments structures in 1968. Photo: Lloyd Hamrol

From January 19 to 29, the Pacific Standard Time Performance and Public Art Festival will present more than 30 new public art commissions and re-invented works of performance art inspired by the amazing history of art in Southern California. As… More»

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Posted in Photographs, Film, and Video

Sincerity Is the New Radical: Bravo’s Work of Art

Still from Nao Bustamante's Sans Gravity

I sat down last Wednesday night with some trepidation to watch the premiere of Bravo’s new reality show Work of Art: The Next Great Artist. For most artists and arts professionals, the show was a harrowing prospect—how can the artistic… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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