“It’s amazing to be immersed in Andrea del Sarto’s home city, his drawings, paintings, frescoes, and his life, normally all so far away when I’m in L.A.” More»
I find auctions terrifying. Mesmerizing, but terrifying. When a major early Renaissance portrait drawing came up for auction at Sotheby’s in New York a month ago, my stomach was in my mouth. It was the sort of drawing one hardly… More»
I never expected to witness an evening combining British artists Aubrey Beardsley and Thomas Girtin, goth-rocker Marilyn Manson, Ugly Betty, six contemporary American poets, Stonehenge, improvisational bassist Roberto Miranda, William Blake, and the exhumed body of a Pre-Raphaelite model. Yet… More»
Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition go,… More»
More than any other exhibition I’ve worked on, Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention feels historic. To stand there as the crate containing Leonardo’s painting of Saint Jerome from the Vatican was opened, to imagine… More»
Medieval methods of entertainment included sad dances and alienation parties.
Tights are not pants, circa 1400something.