About: Kenneth Lapatin

I'm associate curator of antiquities at the J. Paul Getty Museum, specializing in Greek and Roman art. In 2009 I curated the exhibition Carvers and Collectors: The Lasting Allure of Ancient Gems at the Getty Villa and was guest curator of Pompeii and the Roman Villa: Art and Culture around the Bay of Naples at the Los Angeles County Museum of Art. Currently I'm developing exhibitions on the modern reception of Pompeii and other sites destroyed by Mount Vesuvius, a Roman silver treasure from France, and monumental Hellenistic bronze statuary.

Posts by Kenneth

Posted in Antiquities, Behind the Scenes, Conservation, J. Paul Getty Museum

In Search of the Berthouville Treasure

Map of France showing the relative locations of Paris and Berthouville

The present whereabouts of the Berthouville Treasure are not a mystery. In December 2011 this priceless hoard of ancient Roman artifacts discovered by chance in the French countryside over 180 years ago was temporarily transferred from its permanent home in the… More»

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Posted in Antiquities, Art, Behind the Scenes, Getty Villa, J. Paul Getty Museum, Research

Deciphering the Getty Hexameters

hexameters_workshop
Jens Daehner, associate curator of antiquities (left), and Sarah Morris, professor of classics and archaeology at UCLA (right), take a close look at the Getty Hexameters.

Scholars from as far away as England and Holland and as near as Westwood recently gathered at the Getty Villa to decipher and discuss an enigmatic ancient Greek text inscribed on a now-fragmentary lead tablet. These so-called “Getty Hexameters” date… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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