About: Karen Meyer-Roux

I work at the Getty Research Institute in the Special Collections Cataloging Department. I prepared records for the Festival collection and for recent new acquisitions.

Posts by Karen

Posted in Art, Getty Research Institute, Paintings, Research

Treasures from the Vault: Knoedler, Mellon, and an Unlikely Sale

Venus with a Mirror / Titian
Venus with a Mirror, about 1555, Titian. Oil on canvas, 49 x 41 9/16 in. The National Gallery of Art, Washington, D.C., 1937.1.34. Andrew W. Mellon Collection

One of the most remarkable art sales of the 20th century, as told in documents from the Knoedler archives at the Getty Research Institute. More»

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Posted in Art, Behind the Scenes, Getty Research Institute

Treasures from the Vault: The Carlhian Records

Maison Carlhian, Paris, warehouse with stock of plaster casts and boiserie, 1919

The Getty Research Institute is pleased to announce that the Carlhian records are now available for research. This archive enhances the Research Institute’s holdings in the history of decorative arts. Based in Paris, the Carlhian firm acquired and produced furniture, boiseries or… More»

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Posted in Art, Getty Research Institute

Volcano Observer: Sir William Hamilton and Mount Vesuvius

View of an Eruption of Mount Vesuvius, Peter Fabris. Hand-colored engraving in Sir William Hamilton, Campi Phlegraei, 1776.

As news of the erupting and disruptive Icelandic volcano has streamed worldwide, we should pause to pay homage to the pioneering work of the British diplomat, collector and amateur vulcanologist Sir William Hamilton (1730–1803). Appointed Britain’s special envoy to the Spanish court… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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