About: Katrina Posner

I'm an assistant conservator in the Decorative Arts and Sculpture Conservation lab at the J. Paul Getty Museum. While I work on the Getty's collections both in and out-of-doors, in the summer I concentrate on the maintenance of the outdoor sculpture collection. My colleagues and I have written a publication about the preparation and installation of this collection. In summer 2012 I will be working on the installation of an indoor exhibition, Messerschmidt and Modernity.

Posts by Katrina

Posted in Behind the Scenes, Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

Conservation Comes Outdoors for Henry Moore’s “Bronze Form”

What's behind that tent? Henry Moore's Bronze Form is being conserved in situ at the Getty Center

What’s inside this tent? Henry Moore’s monumental sculpture Bronze Form 5/6—normally the first artwork visitors see when arriving at the Getty Center—is undergoing a conservation treatment behind a rather mysterious-looking safety screen. My colleagues and I will be working on… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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