About: Susan Lansing Maish and Eduardo P. Sánchez

Eduardo P. Sánchez I’m associate conservator in the Department of Antiquities Conservation at the J. Paul Getty Museum. During my 25 years with the Museum, I’ve worked on numerous exhibitions and in-depth collaborative projects of both domestic and international scale, such as the conservation of an important imperial Roman portrait sculpture of the Emperor Marcus Aurelius owned by the Pergamon Museum in Berlin, Germany, and the first major exhibition in the U.S. devoted to ancient mosaic masterpieces from Tunisia, Stories in Stone: Conserving Mosaics of Roman Africa. Currently I am working on a collaborative conservation project with the Cabinet des Médailles in the Bibliothèque nationale de France to complete the conservation of Roman silver luxury items that are part of the Berthouville Treasure. I am overseeing the documentation, assessment, and conservation of these extraordinary pieces, which will be displayed at the Getty Villa before the collection is returns to France. Susan Lansing Maish I’m assistant conservator in the Department of Antiquities Conservation at the J. Paul Getty Museum, where I have worked for 25 years. I am very excited to be working on such a rare and beautiful collection of silver artifacts, the Berthouville Treasure, and am very interested in the stories each object has to tell us. It is little like being a detective, unraveling the manufacturing and restoration histories of these objects.

Posts by Susan Lansing Maish and

Posted in Antiquities, Behind the Scenes, Conservation, Getty Villa, J. Paul Getty Museum

Looking Inside a Reconstructed Roman God

Statuette of Mercury from the Berthouville Treasure in the antiquities conservation studios at the Getty Villa

The J. Paul Getty Museum and the Bibliothèque nationale de France are collaborating on the research and conservation treatment of the Berthouville Treasure, the extraordinary Roman silver hoard from the Bibliotheque’s Cabinet des Médailles. Almost one hundred objects arrived at… More»

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Posted in Antiquities, Behind the Scenes, Getty Villa, J. Paul Getty Museum

Welcoming the Berthouville Treasure to the Getty Villa

Mathilde Avisseau-Broustet, Eduardo Sanchez, and Susan Lansing Maish with the Berthouville Treasure

The J. Paul Getty Museum and Cabinet des Médailles of the Bibilotheque nationale de France (the department of coins, medals, and antiques of the National Library of France) are collaborating on the research and conservation treatment of the Berthouville Treasure, an… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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