About: Susan Lansing Maish and Eduardo P. Sánchez

Eduardo P. Sánchez I’m associate conservator in the Department of Antiquities Conservation at the J. Paul Getty Museum. During my 25 years with the Museum, I’ve worked on numerous exhibitions and in-depth collaborative projects of both domestic and international scale, such as the conservation of an important imperial Roman portrait sculpture of the Emperor Marcus Aurelius owned by the Pergamon Museum in Berlin, Germany, and the first major exhibition in the U.S. devoted to ancient mosaic masterpieces from Tunisia, Stories in Stone: Conserving Mosaics of Roman Africa. Currently I am working on a collaborative conservation project with the Cabinet des Médailles in the Bibliothèque nationale de France to complete the conservation of Roman silver luxury items that are part of the Berthouville Treasure. I am overseeing the documentation, assessment, and conservation of these extraordinary pieces, which will be displayed at the Getty Villa before the collection is returns to France. Susan Lansing Maish I’m assistant conservator in the Department of Antiquities Conservation at the J. Paul Getty Museum, where I have worked for 25 years. I am very excited to be working on such a rare and beautiful collection of silver artifacts, the Berthouville Treasure, and am very interested in the stories each object has to tell us. It is little like being a detective, unraveling the manufacturing and restoration histories of these objects.

Posts by Susan Lansing Maish and

Posted in Antiquities, Behind the Scenes, Conservation, Getty Villa, J. Paul Getty Museum

Looking Inside a Reconstructed Roman God

Statuette of Mercury from the Berthouville Treasure in the antiquities conservation studios at the Getty Villa

The J. Paul Getty Museum and the Bibliothèque nationale de France are collaborating on the research and conservation treatment of the Berthouville Treasure, the extraordinary Roman silver hoard from the Bibliotheque’s Cabinet des Médailles. Almost one hundred objects arrived at… More»

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Posted in Antiquities, Behind the Scenes, Getty Villa, J. Paul Getty Museum

Welcoming the Berthouville Treasure to the Getty Villa

Mathilde Avisseau-Broustet, Eduardo Sanchez, and Susan Lansing Maish with the Berthouville Treasure

The J. Paul Getty Museum and Cabinet des Médailles of the Bibilotheque nationale de France (the department of coins, medals, and antiques of the National Library of France) are collaborating on the research and conservation treatment of the Berthouville Treasure, an… More»

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      All Hail Tiberius, Least Media-Savvy of the Roman Emperors

      Tiberius was proclaimed Roman emperor on September 17 in AD 14, exactly 2,000 years ago.

      He was also a bit wacko. “He was the least media-savvy emperor you could imagine,” says curator David Saunders, who has been in charge of this bronze portrait of Tiberius which leaves us on September 22. He point to this description found in the writings of Cassius Dio:

      Tiberius was a patrician of good education, but he had a most peculiar nature. He never let what he desired appear in his conversation, and what he said he wanted he usually did not desire at all. On the contrary, his words indicated the exact opposite of his real purpose; he denied all interest in what he longed for, and urged the claims of what he hated. He would exhibit anger over matters that were far from arousing his wrath, and make a show of affability where he was most vexed…In short, he thought it bad policy for the sovereign to reveal his thoughts; this was often the cause, he said, of great failures, whereas by the opposite course, far more and greater successes were attained.

      Moreover, David tells us, “Tiberius’s accession itself was a farrago: Tiberius sort-of feigning reluctance, the Senate bullying him, he being all, ‘Well, if-I-have-to,’ and in the end—according to Suetonius—saying he’ll do it as long as he can retire.”

      Suetonius is full of great, albeit spurious, anecdotes about poor old Tiberius, David reports. “When someone addressed him as ‘My Lord,’ it is said, Tiberius gave warning that no such insult should ever again be thrown at him.”

      Happy accession, My Lord!

      Portrait Head of Tiberius (“The Lansdowne Tiberius”), early 1st century A.D., Roman. The J. Paul Getty Museum

      Statue of Tiberius (detail), Roman, A.D. 37, Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro. Currently on view at the Getty Villa following conservation and study.

      09/17/14

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