About: Melissa Abraham

Posted in Conservation, Getty Conservation Institute, Philanthropy

A Big Lift for América Tropical

The canopy to protect the mural America Tropical, weighing 73,000 lbs and boasting an impressive 90-foot span, was lifted aloft by a construction crane and set into place.

Construction for the shelter, viewing platform, and interpretive center that will surround América Tropical, the only surviving public mural by David Alfaro Siqueiros in the United States still in its original location, is moving forward. The mural, located on the… More»

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Posted in Architecture and Design, Conservation, Getty Conservation Institute

Modern Architecture Under the Conservation Microscope

Schindler House (Los Angeles, Calif.), interior, 1987. © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute
Schindler House (Los Angeles, Calif.), interior, 1987. © J. Paul Getty Trust. Used with permission. Julius Shulman Photography Archive, Research Library at the Getty Research Institute

Despite the increased recognition that works of modern architecture such as the Sydney Opera House, Le Corbusier’s Chapel of Notre Dame du Haut in Ronchamp, France, or Mies Van der Rohe’s IIT College of Architecture campus are culturally significant and… More»

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Posted in Conservation, Getty Foundation, Paintings, Philanthropy

The Ghent Altarpiece in 100 Billion Pixels

Ghent Altarpiece - Brooch detail

It is now possible to zoom in to the intricate, breathtaking details of one of the most important works of art in the world, thanks to a newly completed website focused on the Ghent Altarpiece. A stunning and highly complex… More»

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Posted in Exhibitions and Installations, Getty Conservation Institute

See Valentine on Valentine’s!

De Wain Valentine at the Getty Center with Gray Column, 2012

Artist De Wain Valentine created his own kind of love letter to the California sea and sky: Gray Column, a 3,500-pound sculpture made of polyester resin that’s twelve feet high and eight feet across. This February 14, come visit From… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Looking at Los Angeles through the Lens

Los Angeles / Garry Winogrand

Much of what the world sees of L.A. is in movies or on TV. But a new exhibition opening today at the Getty Center offers an enticing glimpse of the city’s past through the lenses of photographers—some well known, some… More»

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Posted in Exhibitions and Installations, Getty Conservation Institute

Talking with Artist De Wain Valentine

De Wain Valentine polishing one of his eight-foot-diameter polyester Circles in his Venice studio in the late 1960s

One of the most influential sculptors active in Los Angeles in the 1960s and ’70s, De Wain Valentine is perhaps best known for his large-scale polyester resin sculptures of simple geometric forms that interact intensely with the surrounding light. Not… More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research

Seeing Artwork in a New Light

Getty Conservation Institute scientist Jim Druzik holding one of several filters being evaluated for use in conservation lighting.

Jim Druzik is obsessed with light. More particularly, he’s concerned with the destructive power of light on priceless museum treasures, and it’s his pioneering work in conservation and preservation that could protect great works of art. Jim, a senior scientist… More»

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Posted in Conservation, Exhibitions and Installations, Getty Conservation Institute, Sculpture and Decorative Arts

Gray Column Rises

Gray Column / De Wain Valentine

One of the most influential sculptors active in Los Angeles in the 1960s and 1970s, De Wain Valentine is perhaps best known for his striking, semitransparent, and delicately colored large-scale polyester resin sculptures of simple geometric forms that interact intensely… More»

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Posted in Art, Behind the Scenes, Conservation, Getty Conservation Institute, Getty Research Institute, J. Paul Getty Museum, Sculpture and Decorative Arts

Conserving Lichtenstein’s “Three Brushstrokes”

Three Brushstrokes.  Copyright Estate of Roy Lichtenstein.  Gift of Fran and Ray Stark.
Three Brushstrokes. Copyright Estate of Roy Lichtenstein. Gift of Fran and Ray Stark.

A long lively stroke of deep brilliant blue, black, and white, a curved swipe of muted yellow, a short dab of red—perhaps you’ve seen artist Roy Lichtenstein’s colorful painted aluminum sculpture Three Brushstrokes on a visit to the Getty Center…. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research

From Green Umber to Azurite, Walnut Oil to Egyptian Sandstone, Reference Collection Helps Scientists Analyze Art Data

The Getty Conservation Institute's Art Kaplan, examining mineral samples found in the Reference Collection.

Art Kaplan is on a mission. At my request, he’s looking for a particular yellow pigment to show me—and there are hundreds of yellows to choose from, in drawers labeled Yellow Ochre, Lemon Ochre, Golden Yellow, French Yellow, and labels… More»

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