About: Paul Martineau

I am associate curator in the Department of Photographs at the J. Paul Getty Museum. I received my B.A. in art from the University of Massachusetts at Boston and my M.A. in art history from Williams College. Before joining the Getty Museum in 2003, I worked at the Museum of Fine Arts in Boston and at the Sterling and Francine Clark Art Institute. I have organized numerous exhibitions at the Getty, covering a diverse range of topics that span the mid-19th century to the 21st century, including In Focus: Robert Mapplethorpe. I am currently working on an exhibition of the photographs of Minor White; my next book, The Nude in Photography, will be released in December 2013.

Posts by Paul

Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Day Without Art: Robert Mapplethorpe and His Artistic Shift

Self-Portrait / Robert Mapplethorpe
Self-Portrait, 1988, Robert Mapplethorpe. Platinum print, 23 1/8 x 19 in. Jointly acquired by The J. Paul Getty Trust and the Los Angeles County Museum of Art. Partial gift of The Robert Mapplethorpe Foundation; partial purchase with funds provided by The J. Paul Getty Trust and the David Geffen Foundation. © Robert Mapplethorpe Foundation

December 1, 2012, marks the 24th year that museums and other art organizations have observed Day With(out) Art in order to raise awareness about the AIDS epidemic. Although medical advances in the treatment of HIV/AIDS have improved the lives of… More»

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Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Curators Talk Mapplethorpe at the Getty and LACMA

Self-Portrait, 1980 / Robert Mapplethorpe
Self-Portrait, negative, 1980; print, 1990, Robert Mapplethorpe. Gelatin silver print, 14 x 14 in. Jointly acquired by The J. Paul Getty Trust and the Los Angeles County Museum of Art. Partial gift of The Robert Mapplethorpe Foundation; partial purchase with funds provided by The J. Paul Getty Trust and The David Geffen Foundation. 2011.9.21. © Robert Mapplethorpe Foundation

Last year the Getty and LACMA jointly acquired the art and archives of Robert Mapplethorpe, including more than 2,000 works of art as well extensive documentation of this important artist’s celebrated career and working methods. Now both museums are presenting… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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