About: Rebecca Zamora

I'm a staff member of the scholars program at the Getty Research Institute and was research assistant for the Surrealism in Latin America project from 2007 to 2010. I received my M.A. in Latin American Studies at the University of California, Los Angeles, with a thesis on the subject of David Alfaro Siqueiros’s murals in Los Angeles.

Posts by Rebecca

Posted in Behind the Scenes, Getty Foundation, Research

Thirty-Eight Scholars Will Visit the Getty to Study the Materials of Art and the History of Classical Egypt

Monica Juneja, Matthew Robb, and Larry A. Silver
2014–15 scholars Monica Juneja, Matthew Robb, and Larry A. Silver in conversation at the Getty Research Institute

Thirty-eight scholars will pursue research at the Getty for coming scholar year. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The “Scandalous Life” of César Moro

Photograph of César Moro buried up to his head in sand
Photograph of César Moro buried up to his head in sand, ca. 1935, unknown photographer. César Moro papers. The Getty Research Institute, 980029, box 1, folder 20

Peruvian poet César Moro has received relatively little notice in American scholarship. His poetry, artwork, and activities within and without the surrealist movement in Paris, Mexico City, and Lima remain little examined. But the Getty Research Institute exhibition Farewell to… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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