About: Ramille Baguio

I was a Multicultural Undergraduate Intern at the Getty in summer 2011, working in the Getty Conservation Institute. The internships provide opportunities to students who are members of groups currently underrepresented in careers related to museums and the visual arts—such as myself, an American of Filipino descent—and expose them to potential careers in the arts. Since I can remember, I’ve always had a love for visual culture. In an era that places emphasis on the sciences and technological advancement, I believe there’s a need to re-stimulate interest in the humanities, especially in the field of art.

Posts by Ramille

Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Getty Research Institute

New Online: The Ernest A. Long Outdoor Mural Image Archive

Ghosts of the Barrio mural by Wayne Healy / photographed circa 1970-1974
Ghosts of the Barrio by Wayne Healy. Photographed ca. 1970-74. Located at Ramona Gardens in Los Angeles, CA. Ernest A. Long Outdoor Mural Image Archive, J. Paul Getty Trust. © Ernest A. Long III Trust and Wayne Healy

A new image archive of L.A. murals has just been made available online. As a Multicultural Undergraduate Intern working at the Getty Conservation Institute (GCI) this summer, I worked with colleagues in Field Projects and the Information Center on the… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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