About: Thomas Kren

I'm acting associate director for collections at the J. Paul Getty Museum and ran the Department of Manuscripts from its inception in 1984 until last year. I've curated numerous exhibitions at the Getty, including Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe (2003) and A Masterpiece Reconstructed: The Hours of Louis XII (2005), and written books on manuscripts, including, most recently, Illuminated Manuscripts from Belgium and the Netherlands in the J. Paul Getty Museum.

Posts by Thomas

Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

See the Book That Was Kept in Storage for 800 Years

Stammheim Missal on display in the Getty Museum galleries

One of the most exciting aspects of curatorial work is the privilege of bringing you great works of art that were rarely seen before their acquisition by the museum. Case in point: the Stammheim Missal, one of the greatest manuscripts… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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