animals

Posted in Behind the Scenes, Getty Villa, Photographs, Film, and Video, Voices

A Young Buck on a November Morning

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I spoke to him quietly: “I’m not here to hurt you, my friend. I just want to take your picture to share with the world how beautiful you are.” More»

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Posted in Art, Paintings, Photographs, Film, and Video, Prints and Drawings

Dogs Behaving Badly

A Merry Company / Jacob Jordaens
A Merry Company, about 1644, Jacob Jordaens. Watercolor and white gouache heightening over black chalk. The J. Paul Getty Museum, 2000.59

Most dogs are impeccably well behaved—in art, anyway. They sit quietly on laps, raise a paw for their beloved master, or contort themselves into perfect S curves. The king of Old Master dogs is Guercino’s heroic mastiff, who looks like… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: An Impish Ape in a Medieval Zoo

Adam Naming the Animals in the Northumberland Bestiary / English

One of my favorite acquisitions of the past five years in the Getty’s manuscript collection is the Northumberland Bestiary (Ms. 100), featured currently in the Gothic Grandeur exhibition. A bestiary is a kind of medieval encyclopedia of animals. In addition… More»

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Posted in Art, J. Paul Getty Museum, Paintings

Anatomy of a Horse Painting

The Piebald Horse / Paulus Potter

In George Stubbs’s Brood Mares and Foals, which arrived at the Museum in October as a temporary anonymous loan, horses are sympathetically portrayed within the bucolic landscape of the English countryside. The overriding mood is idyllic, as a small coterie… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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