About: Tahnee Cracchiola

I'm a photographer at the J. Paul Getty Museum at the Getty Villa.

Posts by Tahnee

Posted in Behind the Scenes, Getty Villa, Photographs, Film, and Video, Voices

A Tribute to Rough Fingers and Soft Hearts

Tahnee Cracchiola and Efrain Perez

A tribute to the incredibly talented men (and woman!) of the Getty Villa’s grounds and gardens crew. More»

10 Responses
Posted in Behind the Scenes, Getty Villa, Photographs, Film, and Video, Voices

A Young Buck on a November Morning

2_gmvi_WH7893_BuckDeer_002_featured

I spoke to him quietly: “I’m not here to hurt you, my friend. I just want to take your picture to share with the world how beautiful you are.” More»

Tagged , , , , , , , , 2 Responses
Posted in Behind the Scenes, Gardens and Architecture, Getty Villa, Photographs, Film, and Video, Voices

The Transformative Outer Peristyle

Sunrise Outer Peristyle

Stunning by day, by night, at sunrise and at sunset, the Outer Peristyle at the Getty Villa is also a backdrop from a dramatic duck love story. More»

Tagged , , , , , Leave a comment
Posted in Behind the Scenes, Gardens and Architecture, Getty Villa, Photographs, Film, and Video, Voices

The Waltz of the Hummingbirds

Tahnee Cracchiola © 2009 J. Paul Getty Trust

Waltzing hummingbirds captured in a fleeting second by accident. Nature’s surprises sure do deliver beautiful photographs. More»

Tagged , , , , , 1 Response
Posted in Behind the Scenes, Gardens and Architecture, Photographs, Film, and Video, Voices

Getty Voices: Getty Gone Wild

tahnee_featured

Photographic encounters with deer, birds, butterflies, and other wildlife of the Getty.
More»

Tagged , , , , , , 23 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

  • Flickr