About: Tahnee Cracchiola

I'm a photographer at the J. Paul Getty Museum at the Getty Villa.

Posts by Tahnee

Posted in Behind the Scenes, Getty Villa, Photographs, Film, and Video, Voices

A Tribute to Rough Fingers and Soft Hearts

Tahnee Cracchiola and Efrain Perez

A tribute to the incredibly talented men (and woman!) of the Getty Villa’s grounds and gardens crew. More»

10 Responses
Posted in Behind the Scenes, Getty Villa, Photographs, Film, and Video, Voices

A Young Buck on a November Morning

2_gmvi_WH7893_BuckDeer_002_featured

I spoke to him quietly: “I’m not here to hurt you, my friend. I just want to take your picture to share with the world how beautiful you are.” More»

Tagged , , , , , , , , 2 Responses
Posted in Behind the Scenes, Gardens and Architecture, Getty Villa, Photographs, Film, and Video, Voices

The Transformative Outer Peristyle

Sunrise Outer Peristyle

Stunning by day, by night, at sunrise and at sunset, the Outer Peristyle at the Getty Villa is also a backdrop from a dramatic duck love story. More»

Tagged , , , , , Leave a comment
Posted in Behind the Scenes, Gardens and Architecture, Getty Villa, Photographs, Film, and Video, Voices

The Waltz of the Hummingbirds

Tahnee Cracchiola © 2009 J. Paul Getty Trust

Waltzing hummingbirds captured in a fleeting second by accident. Nature’s surprises sure do deliver beautiful photographs. More»

Tagged , , , , , 1 Response
Posted in Behind the Scenes, Gardens and Architecture, Photographs, Film, and Video, Voices

Getty Voices: Getty Gone Wild

tahnee_featured

Photographic encounters with deer, birds, butterflies, and other wildlife of the Getty.
More»

Tagged , , , , , , 23 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

  • Flickr