Conserving an Ancient Obelisk
Conserving the tallest object ever displayed at the Getty.
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Of Muses and Magnets, or, Inspiration for a New Technique in Stone Conservation
A sarcophagus bearing the Muses sparks innovation in the conservation studio.
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A New Look at an Ancient Bucket
The process of preparing a Villanovan situla to go on display.
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Ancient Art Preserved for Our Time
The Getty Villa reinstallation offered conservators new opportunities and discoveries.
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An Archival Trail: Concrete Art in Argentina
Concrete art in Argentina and Brazil, as told through papers in the special collections.
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The Age-Old Craft of Panel Paintings Conservation Secures a Future
In-depth training secures the future of a specialized conservation field.
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20 Years at the Getty Center: A Getty Foundation Perspective
Twenty years of philanthropy in the visual arts.
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AUDIO: The Making of an Exhibition, Part 3
The last installment about an exhibition featuring postwar Latin American art.
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Night Vision: Notes on Seeing Concrete Art Under Ultraviolet Light
The conservation science behind Making Art Concrete.
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A New Face for PMMA
New research on conserving plastics used in art.
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A Clean Frame for Jacob Blessing the Sons of Joseph
The ins and outs of cleaning a frame for a masterpiece.
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Elisabeth Frink’s Running Man Gets a Cleaning
Running Man pauses for a cleaning.
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