contemporary art

Posted in Art, Behind the Scenes, Getty Research Institute, Paintings

Treasures from the Vault: Sylvia Sleigh and Lawrence Alloway, Mutual Muses

The Turkish Bath / Sylvia Sleigh
© Estate of Sylvia Sleigh

Intimate relationships visualized: the work and love of Sylvia Sleigh and Lawrence Alloway. More»

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Posted in Behind the Scenes, J. Paul Getty Museum

In Studio: Larry Bell

Larry Bell in his studio, January 22, 2012

Artist Larry Bell creates sculptures that play with optical effects, light, and perception. He opened his studio and shared creative insights into his creative process last January 22 as part of “In Studio,” a program we in the Museum’s Education… More»

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Posted in Behind the Scenes, Getty Research Institute

I Was There: Lita Albuquerque’s “Spine of the Earth 2012”

Rani Singh, Lucy Bradnock, and Amy Hood participating in Spine of the Earth 2012 by Lita Albuquerque

At 8:15 Sunday morning I found myself scurrying through a parking lot in Culver City to get on an old-fashioned-looking red and white bus. I took one of the last empty seats alongside dozens of other chipper volunteers as we… More»

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Posted in Behind the Scenes

Join Suzanne Lacy to Demand that #RapeEndsHere

Suzanne Lacy with the Rape Map at LAPD headquarters, January 2012

January 19 is the official launch of the Pacific Standard Time Performance and Public Art Festival. But it’s already unofficially begun, not only with pre-festival events last night at LAXART and tonight at the Getty Center, but also with what… More»

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Posted in Art, Behind the Scenes, Getty Research Institute

Treasures from the Vault: Artwork by Richard Tuttle Discovered in the Archive of Galerie Schmela

Detail of calligraphy in a letter from Richard Tuttle to Alfred Schmela, 1968

As I was recently working on the archive of  the German art dealer Alfred Schmela, I discovered an unusual  mailing  sent by American postminimalist artist Richard Tuttle. Addressed to Alfred Schmela and his wife Monika in Düsseldorf, Germany, it was… More»

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Posted in Art, J. Paul Getty Museum, Paintings

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

Just in time for New Year’s Eve, the unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new… More»

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Posted in Architecture and Design, Behind the Scenes, Prints and Drawings

The Oakes Brothers’ Final Week at the Getty

Trevor Oakes completes the final panels of his drawing of the Getty’s Central Garden

Ryan and Trevor Oakes are close to completing their three-week drawing project, in which they’ve been rendering the Getty Center and Central Garden exactly as the human eye views it. Their last day here is this Saturday, December 24. Their… More»

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Posted in Architecture and Design, Behind the Scenes, Gardens and Architecture, Getty Center, Prints and Drawings

Double Draw: The Oakes Brothers at the Getty

The Oakes Brothers sketch in the Central Garden at the Getty Center

Twin brothers and artists Ryan and Trevor Oakes have similar interests, which isn’t really unusual for twins. However, the brothers have taken their mutual fascination with vision, light, space, and depth to a whole new level, and have built their… More»

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Posted in Education, Exhibitions and Installations, J. Paul Getty Museum

Question of the Week: Is It Still a Man’s World?

Car Hood / Judy Chicago

In 1964, while a student in UCLA’s graduate program in painting and sculpture, artist Judy Chicago enrolled in auto-body school—the only woman in a class of 250 men. They were all there to learn how to custom-paint cars with candy-colored… More»

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Posted in Exhibitions and Installations, Getty Conservation Institute

Talking with Artist De Wain Valentine

De Wain Valentine polishing one of his eight-foot-diameter polyester Circles in his Venice studio in the late 1960s

One of the most influential sculptors active in Los Angeles in the 1960s and ’70s, De Wain Valentine is perhaps best known for his large-scale polyester resin sculptures of simple geometric forms that interact intensely with the surrounding light. Not… More»

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