contemporary art

Posted in Art, J. Paul Getty Museum, Paintings

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

The unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new performance work by French artist Mathis Collins…. More»

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Posted in Architecture and Design, Behind the Scenes, Prints and Drawings

The Oakes Brothers’ Final Week at the Getty

Trevor Oakes completes the final panels of his drawing of the Getty’s Central Garden

Ryan and Trevor Oakes are close to completing their three-week drawing project, in which they’ve been rendering the Getty Center and Central Garden exactly as the human eye views it. Their last day here is this Saturday, December 24. Their… More»

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Posted in Architecture and Design, Behind the Scenes, Gardens and Architecture, Getty Center, Prints and Drawings

Double Draw: The Oakes Brothers at the Getty

The Oakes Brothers sketch in the Central Garden at the Getty Center

Twin brothers and artists Ryan and Trevor Oakes have similar interests, which isn’t really unusual for twins. However, the brothers have taken their mutual fascination with vision, light, space, and depth to a whole new level, and have built their… More»

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Posted in Education, Exhibitions and Installations, J. Paul Getty Museum

Question of the Week: Is It Still a Man’s World?

Car Hood / Judy Chicago

In 1964, while a student in UCLA’s graduate program in painting and sculpture, artist Judy Chicago enrolled in auto-body school—the only woman in a class of 250 men. They were all there to learn how to custom-paint cars with candy-colored… More»

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Posted in Exhibitions and Installations, Getty Conservation Institute

Talking with Artist De Wain Valentine

De Wain Valentine polishing one of his eight-foot-diameter polyester Circles in his Venice studio in the late 1960s

One of the most influential sculptors active in Los Angeles in the 1960s and ’70s, De Wain Valentine is perhaps best known for his large-scale polyester resin sculptures of simple geometric forms that interact intensely with the surrounding light. Not… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Unraveling the Narrative: A Conversation with Photographer Eileen Cowin

Eileen Cowin in her studio, 2011

In the exhibition Narrative Interventions in Photography, opening October 25, contemporary photographers Eileen Cowin, Carrie Mae Weems, and Simryn Gill present works that explore the subjectivity of storytelling and the slipperiness of truth. Cowin’s large, color photographs pair images—including one… More»

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Posted in Behind the Scenes, Getty Research Institute, Photographs, Film, and Video

A Visit to Thomas Demand’s Studio

Thomas Demand in his Culver City studio with visitors from the Getty Research Institute
Thomas Demand in his Culver City studio, showing us the set of his latest work and his paper and cardboard constructions

During my work as a Multicultural Undergraduate Intern at the Getty this summer,  I was invited to join colleagues from the Getty Research Institute on a visit to artist Thomas Demand’s studio in Culver City. It was a memorable look… More»

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Posted in Conservation, Exhibitions and Installations, Getty Conservation Institute, Sculpture and Decorative Arts

Gray Column Rises

Gray Column / De Wain Valentine

One of the most influential sculptors active in Los Angeles in the 1960s and 1970s, De Wain Valentine is perhaps best known for his striking, semitransparent, and delicately colored large-scale polyester resin sculptures of simple geometric forms that interact intensely… More»

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Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum, Sculpture and Decorative Arts

The Making of Charles Ray’s “Boy with Frog”

Boy with Frog (detail), Charles Ray (American, born 1953), 2009. Painted fiberglass, 96 1/16 x 29 1/2 x 41 5/16 in. Courtesy the artist and Matthew Marks Gallery

Peering up at a giant sculpture, I often wonder: How do artists construct such massive creations? Here’s a peek at the journey, from artist’s conception to the Getty Center’s doorstep, of the larger-than-life Boy with Frog, which was installed yesterday… More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video

Treasures from the Vault: Anticipating Mapplethorpe

Self-portraits by Sam Wagstaff, 1960s or 1970s. The Getty Research Institute, Samuel Wagstaff papers, 1860-1987, 2005.M.46. Gift of The Robert Mapplethorpe Foundation, Inc.
Self-portraits by Sam Wagstaff, 1960s or 1970s. The Getty Research Institute, Samuel Wagstaff papers, 1860-1987, 2005.M.46. Gift of The Robert Mapplethorpe Foundation, Inc.

Many researchers are looking forward to delving in to the Robert Mapplethorpe archive we acquired in February. However, there is an important complementary collection of equal interest available right now: the Samuel Wagstaff papers. Wagstaff was a formidable curator and… More»

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      ryanlintelman:

      thegetty:

      On this day in history, a British colonial magistrate in India began using fingerprints as identifiers. It is considered the first official use of nature’s signature.

      Can you find the painter’s accidental fingerprint on this Classical Athenian mug fragment? Click through for a close up!

      Are you kidding me, Getty? This post is about the fingerprint on this mug? How about WHAT THE F**K IS THIS GUY DOING?

      Good point. We asked our antiquities expert and here’s what he said!

      08/27/14

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