digital humanities

Posted in Behind the Scenes, Getty Research Institute

Grad Intern Diary: Nathaniel Deines

Nathaniel Deines in the Library at the Getty Research Institute

Pertinacia, scientia, spes. More»

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Posted in Getty Foundation, Publications

Grad Intern Diary: Steph Grimes

Steph4_blog

An intern’s year developing digital publications from the ground up. More»

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Posted in Behind the Scenes, Getty Research Institute, Manuscripts and Books, Publications, Research

New Digital Publication Reveals the Workings of Art History

Pietro Mellini’s Inventory in Verse, 1681 - home page
The GRI’s first born-digital publication, Pietro Mellini’s Inventory in Verse, 1681

New born-digital book offers a new model for publishing in art history. More»

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Posted in Art, Behind the Scenes, Research

Beyond Borders: The Humanities in the Digital Age

Terms for marble in multiple languages, superimposed on a carved marble sculpture of Athena
Selected multilingual terms from the entry for marble in the Art & Architecture Thesaurus

The Web has revolutionized the way we study art and culture. More»

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Posted in Getty Research Institute, Manuscripts and Books, Photographs, Film, and Video, Research

100,000 Digitized Art History Materials from the Getty Research Institute Now Available in the Digital Public Library of America

Barnsdall Park / Julius Shulman
Barnsdall Park, Shulman Retrospective (Los Angeles, California), 1969, photographed by Julius Shulman. Print: Frank Taylor. The Getty Research Institute, 2004.R.10 (Job 4460)

There’s a new place to explore digital treasures from the vast collections of the Getty Research Institute. More»

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Posted in Art, Getty Research Institute, Research

Getty Thesaurus of Geographic Names Released as Linked Open Data

Linked Open Data / Ellora Caves in India

Vast database of geographic places is now available for free download. More»

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Posted in Art, Getty Foundation, Research

Summer Camp for Art Historians

Photo: Frettie, CC By-SA 3.0

Three summer institutes convene art historians to push digital art history forward. More»

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Posted in Getty Research Institute, Research

New Report Visualizes Cultural History through “Big Data”

Birth to death migration in Europe, according to the Getty’s Union List of Artist Names, cumulated over all time to CE 2012. Blue dots indicate the births of notable individuals; red dots indicate deaths. © Maximilian Schich, 2014
Birth to death migration in Europe, according to the Getty’s Union List of Artist Names, cumulated over all time to CE 2012. Blue dots indicate the births of notable individuals; red dots indicate deaths. © Maximilian Schich, 2014

Using science to map art history. More»

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Posted in Art, Getty Research Institute, Research

Art & Architecture Thesaurus Now Available as Linked Open Data

Linked Open Data / Vincent van Gogh's Irises

A key reference database on art and architecture is now available for free download. More»

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Posted in Art, Getty Research Institute, Research

Beyond Digitization—New Possibilities in Digital Art History

Madonna, Saint Thomas Aquinas, and Saint Paul / Bernardo Daddi
Digital Daddis. In the Getty Center galleries with Madonna, Saint Thomas Aquinas, and Saint Paul, about 1330, Bernardo Daddi. Tempera and gold leaf on panel, 47 1/2 x 22 in. The J. Paul Getty Museum, 93.PB.16

Museums and libraries have digitized millions of works of art. Now what? More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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