digital humanities

Posted in Behind the Scenes, Publications, Research

Which Way, Digital_Humanities?

Provocation from Digital_Humanities
A provocation.

“Ours is an era in which the humanities have the potential to play a vastly expanded creative role in public life.” Will they? More»

Also tagged , , 1 Response
Posted in Behind the Scenes, Manuscripts and Books, Research, Voices

Creating “Getty Scholars’ Workspace”: Lessons from the Digital Humanities Trenches

mellini_featured

Getty Scholars’ Workspace, an online collaborative working environment, is taking shape at the Getty Research Institute. Lessons from the pilot project. More»

Also tagged , , , , , , 1 Response
Posted in Art, Publications, Research, Voices

It’s Time to Rethink and Expand Art History for the Digital Age

Google Image Search result for "Mona Lisa"
But is it art history? Google Image Search result for "Mona Lisa"

We need a 21st-century rethink of art history, one that takes us beyond academia to include artistic creation and the reception of artworks by the public. More»

Also tagged , , , , , 4 Responses
Posted in Getty Research Institute, Publications, Research

Walking through the Getty Research Portal

Screen capture of the Getty Research Portal, showing how to enter a query

Today the Getty Research Institute launches the Getty Research PortalTM, an unprecedented resource that will provide broad, free access to digitized texts in the field of art and architectural history. The Getty Research Portal is a free online search gateway… More»

Also tagged , , , , , 1 Response
Posted in Behind the Scenes, Getty Research Institute, Research

Creating an Online Collaboration Tool for Scholars

Digital Mellini screenshot

Last month, I gave a presentation with my colleague Tina Shah at the annual Museum Computer Network (MCN) conference in Atlanta about an online collaboration tool for scholars that several of us in the Web group at the Getty have… More»

Also tagged , , , , , , , 3 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

  • Flickr