Edgar Degas

Posted in Art, Prints and Drawings, Publications

The Human Predicament, in Pastel

Waiting / Degas
Owned jointly with the Norton Simon Art Foundation, Pasadena

An enigmatic pastel shows Degas’s talent for drawing human psychology. More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Prints and Drawings

Why Is This Drawing in a Museum?

Abstract Lines / Degas
The mysterious drawing in question. Abstract Lines, about 1877, Edgar Degas. J. Paul Getty Museum.

A look inside a sketchbook by Degas reveals the story behind a unusual drawing. More»

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Posted in Behind the Scenes, Education, J. Paul Getty Museum

Dancing with Degas: New Curriculum Brings Art and Movement into the Classroom

Dancing with Degas - Curriculum premiere at the Getty Center
Dancing with Degas - Curriculum premiere at the Getty Center

As a fourth-grade teacher, I take every opportunity to integrate art into the classroom. So when I was asked to be on the Teacher Advisory Group for the new Performing Arts in Art curriculum for K–12 teachers, I was thrilled…. More»

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Posted in Getty Center, J. Paul Getty Museum

Honey, They’re Playing Our Painting

Dancer Taking a Bow (The Prima Ballerina), Edgar Degas, pastel and gouache on paper, 33 1/2 x 27 in. (85.1 x 68.6 cm). Private collection

Many couples have a favorite song, a tune that conjures up memories of blissful infatuation and unending devotion. Elia and Maranatha have a painting. The couple met three years ago when Elia, a musician, was playing at a club in… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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