Édouard Manet

Posted in Behind the Scenes, J. Paul Getty Museum, Paintings

A Week in the Life of Manet’s “Spring”

Hanging Manet's Spring in the Getty Center, West Pavilion

Watch the arrival of Manet’s painting Spring, from delivery van to gallery wall. More»

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This Just In: Édouard Manet’s “Spring”

Spring (Jeanne Demarsy) / Manet
Spring (Jeanne Demarsy), 1881, Édouard Manet. Oil on canvas, 29 1/8 x 20 ¼ in. The J. Paul Getty Museum

For Manet, fashion and the femininity were metaphors for the skilled artifice of painting itself. More»

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Posted in J. Paul Getty Museum, Paintings

The Radical Artistic Vision of Manet’s “Spring”

Spring as installed at the Getty Museum / Edouard Manet
Spring (Jeanne Demarsy), 1881, Édouard Manet. Oil on canvas, 29 1/8 x 20 ¼ in. The J. Paul Getty Museum

This beautiful painting contains the germ of modern art as we know it. More»

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A “French ‘Mona Lisa’” Comes to L.A.: Manet’s “Portrait of Madame Brunet”

Portrait of Madame Brunet / Edouard Manet

Museum-quality paintings by Édouard Manet still remaining in private hands are exceptionally rare, and the Getty Museum is extremely fortunate in its most recent addition to the paintings collection: Manet’s Portrait of Madame Brunet, which goes on view at the… More»

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Manet of Mystery (and Melancholy)

The Rue Mosnier with Flags / Edouard Manet

My love affair with Édouard Manet, who was born on this day in 1832, is now decades in the making—dating back to my very first high school art history course, when the teacher showed a slide of the artist’s 1863… More»

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    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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