Edward Kienholz

Posted in Education, Exhibitions and Installations, Sculpture and Decorative Arts

To Walter with Love: Ed Kienholz’s “Walter Hopps Hopps Hopps”

Walter Hopps Hopps Hopps / Edward Kienholz

Sometimes, only a friend will tell you what they really think. Take the case of artist Ed Kienholz and curator Walter Hopps. Kienholz’s over-life-size assemblage portrait of his friend, Walter Hopps Hopps Hopps—the inspiration for our collage meet-up this Saturday—is… More»

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Posted in Education, J. Paul Getty Museum

Invitation of the Week: Collage Meet-Up on October 29

Analia Saban and Claire de Dobay Rifelj at a collage workshop on October 19, 2011

Update! See our Flickr set from the meet-up here! We’re doing something different for our Question of the Week series on the Iris this month: an invitation of the week. Join us at the Getty Center on Saturday, October 29,… More»

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Posted in Art, Getty Research Institute

Avant-Garde Antics: The Art of Display in Postwar Los Angeles

Wallace Berman’s gallery in Larkspur. Photo by Charles Brittin. Research Library, The Getty Research Institute, 2005.M.11

How do you hold a “secret exhibition”? In 1957, Los Angeles artist George Herms did just that, setting up his assemblage sculptures among the foundation blocks of a row of demolished buildings in Hermosa Beach. The show wasn’t publicized, and… More»

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      Vermeer’s interiors make possible a sort of encounter in which the painting completely disappears in the viewing, and the viewer is what is seen into, and this is the key to Vermeer’s true design and the source of his work’s mystery.“

      —poet Michael White

      The Milkmaid, ca, 1660. Rijksmuseum, Amsterdam

      Woman Reading a Letter, ca. 1663. Rijksmuseum, Amsterdam

      Young Woman with a Water Pitcher, ca. 1662. The Metropolitan Museum of Art, Marquand Collection, Gift of Henry G. Marquand, 1889. www.metmuseum.org

      03/28/15

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