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Posted in Art, J. Paul Getty Museum, Prints and Drawings

This Just In: Three Drawings from the Dutch Golden Age

A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)
A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)

A peasant portrait, botanical watercolor, and winter scene join the Getty Museum’s collection More»

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Posted in Ancient World, Antiquities, Getty Villa, J. Paul Getty Museum

Power in a Mummy Portrait

Mummy Portrait of Isidora / Isidora Master
Mummy Portrait of a Woman (detail), about A.D. 100–110, attributed to the Isidora Master. Linen, pigment, and gold; encaustic on wood, 18 7/8 x 14 3/16. The J. Paul Getty Museum, 81.AP.42

This woman is still beautiful and self-assured, 2,000 years after her portrait was painted. More»

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Posted in Art, Photographs, Film, and Video

The Photographs That Helped Save a National Icon

Cathedral Rocks / Watkins
Cathedral Rocks 2600ft., Yosemite, 1861, Carleton Watkins, from the album Photographs of the Yosemite Valley

Carleton Watkins’s powerful images helped convince Congress to save Yosemite. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Medieval Manuscripts Alive

Medieval Manuscripts Alive - languages

Hear medieval manuscripts read aloud. First up: Ge’ez, the language of the Ethiopian church. More»

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Posted in J. Paul Getty Museum, Publications

Getty from 3 to 5pm: Museum Guidebooks, Then and Now

The Penitent Madgalene / Titian, from The J. Paul Getty Museum Guidebook, second edition

Guidebooks from the ’50s join our Virtual Library. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings, Research

Who Is George Seurat’s “Indian Man”?

An Indian Man / Georges Seurat
Detail of Seurat's An Indian Man showing the finely rendered beard and topknot

Help us solve an art-historical mystery. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

The Middle Ages and Modern Abstraction

The Virgin and Child with the Archangels Michael and Gabriel from Gospel Book, about 1504 - 1505. 13 9/16 x 10 ¼ in. (34.5 x 26.5 cm). MS. 102, FOL. 19V
The Virgin and Child with the Archangels Michael and Gabriel from Gospel Book, about 1504 - 1505. 13 9/16 x 10 ¼ in. (34.5 x 26.5 cm). MS. 102, FOL. 19V

Abstraction was no modern innovation—it’s been an integral part of art across the centuries. More»

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Posted in Art, Prints and Drawings, Publications

The Human Predicament, in Pastel

Waiting / Degas
Owned jointly with the Norton Simon Art Foundation, Pasadena

An enigmatic pastel shows Degas’s talent for drawing human psychology. More»

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Posted in Art, Manuscripts and Books

Medieval Reading for Our Favorite “Game of Thrones” Characters

The King of Cyprus Killed by His Brothers, from Froissart’s Chronicles (Book Three), Master of the Getty Froissart, 1480-83.  Tempera colors, gold leaf, gold paint, and ink on parchment, 18 7/8 x 13 ¾ in. (48 x 35 cm). The J. Paul Getty Museum, Ms. Ludwig XIII 7, fol. 80
The King of Cyprus Killed by His Brothers, from Froissart’s Chronicles (Book Three), Master of the Getty Froissart, 1480-83. Tempera colors, gold leaf, gold paint, and ink on parchment, 18 7/8 x 13 ¾ in. (48 x 35 cm). The J. Paul Getty Museum, Ms. Ludwig XIII 7, fol. 80

Books our favorite “Game of Thrones” characters should consult before heading into season 4. More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Children in Another World: The Photographs of Arthur Tress

Boy with Root Hands, New York, New York, 1971. Arthur Tress (American, born 1940). Gelatin silver print. The J. Paul Getty Museum, Los Angeles. © Arthur Tress.
Boy with Root Hands, New York, New York, 1971, Arthur Tress. Gelatin silver print, 10 1/16 x 10 3/16 in. The J. Paul Getty Museum, 2013.68.13. © Arthur Tress

The inner lives of children take form in the American photographer’s surreal, compelling images. More»

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      What unexpected thing have you learned by working at a museum?

      The more time you take with the art, the better. 

      The first time I saw a work by James Turrell, my eyes totally deceived me. I walked into the room (Acton, at the Indianapolis Museum of Art) and saw a gray rectangle “painting,” but I was baffled and could not figure it out—I got closer and closer until my face was pressed against the wall next to it, trying to figure out what it was. When my friend stuck her arm into the painting and revealed the illusion (a square cut into the wall and lit to look flat), my mind was blown! You got me so good, James.

      Also, always offer to take a family photo for the tourists!

      What do you wish you could tell all people about yourself, museums, or life? 

      Everyone is creative.

      Emily, Education Technologist at the Getty, July 24, 2014

      07/29/14

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