Getty Museum collection

Posted in Art, Paintings

Scott Schaefer on the Meaning of Collecting

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The retiring paintings curator walks the galleries with us one last time. More»

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Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Four Minds on Herzog: A Conversation with Paul Young

Paul Young
Paul Young photographed within Hearsay of the Soul at the Getty Center. "It feels very personal, and that’s what makes it interesting," he says.

“I think he sees Hearsay of the Soul as a poem, and doesn’t want to make a documentary—that was a very deliberate choice. It feels very personal, and that’s what makes it interesting.” More»

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Posted in Art, J. Paul Getty Museum, Paintings

Laughing Out Loud! Rembrandt Self-Portrait Now on View at the Getty

Close-up of face in Rembrandt Laughing / Rembrandt Harmensz. van Rijn
Rembrandt Laughing (detail), about 1628, Rembrandt Harmensz. van Rijn. Oil on copper, 8 3/4 x 6 3/4 in. The J. Paul Getty Museum, 2013.60

A youthful, confident Rembrandt shakes things up in the paintings galleries. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

Father-and-Daughter Pastels by William Hoare Now on View

Henry Hoare, "The Magnificent," of Stourhead; Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury
L: Henry Hoare, “The Magnificent,” of Stourhead, about 1750–1760, William Hoare. R: Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury, about 1750–1760, William Hoare

Newly acquired portraits tell the unusual story of British banking heir Henry Hoare and the artist who depicted him. More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

A Field Guide to Renaissance Gardens

The Temptation of Adam and Eve / Boucicaut Master
The Temptation of Adam and Eve (detail) in Concerning the Fates of Illustrious Men and Women, about 1415, Boucicaut Master. Tempera colors, gold leaf and gold paint on parchment, 16 9/16 x 11 5/8 in. The J. Paul Getty Museum, Ms. 63, fol. 3

In the Renaissance as now, gardens came in many forms and carried many associations. A visual tour. More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

The Civil War in Pictures

Portrait of a Confederate Soldier/ unknown photographer
Portrait of a Confederate Soldier, about 1862, unknown photographer. Hand-colored ambrotype, 2 9/16 x 2 1/16 in. The J. Paul Getty Museum, 84.XT.818.16

The Civil War captured in early photographs, from young New Yorkers headed to the battlefield to Robert E. Lee one week after the surrender. More»

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Posted in Behind the Scenes, J. Paul Getty Museum, Photographs, Film, and Video, Research, Voices

Getty Voices: Be a Photograph Sleuth

Miriam looks through her handy magnifying glass and light to try to determine the photographic process of this image.
Miriam looks through her handy magnifying glass and light to try to determine the photographic process of this image.

I spend as much of my time looking through a magnifying glass as a classic detective does—solving the mysteries of the Getty’s Department of Photographs. More»

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Posted in Art, Photographs, Film, and Video

David Goldblatt’s Photographs of South Africa Join the Getty Museum’s Collection

David Goldblatt (South African, born 1930), Young Men with dompas, White City, Jabavu, Soweto, November 1972, Gelatin silver print, 22.9 x 22.9 cm (9 x 9 in.), The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs Council, © David Goldblatt
Purchased with funds provided by the Photographs Council. © David Goldblatt

Candid photographs of racially divided neighborhoods and cities during apartheid join the collection. More»

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Posted in Art, Conservation, Getty Conservation Institute, Manuscripts and Books, Paintings

What Do Rocks Have to Do with Renaissance Art?

jerome_azurite_featured

Why the manuscript illuminations in Florence at the Dawn of the Renaissance really rock. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

On the 12 Days of Christmas, My True Love Gave to Me…

A Partridge (detail)/from a bestiary
A Partridge (detail) in a bestiary, about 1270. Tempera colors, gold leaf, and ink on parchment, 7 ½ x 5 5/8 in. (19.1 x 14.3 cm). The J. Paul Getty Museum, Ms. Ludwig XV 3, fol. 38v

Illuminated manuscripts are one of my true loves, and as a treat for the 12 days of Christmas, I’d like to share just a few of the glorious things that my true love gave to me this year. On the… More»

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      What did death mean in Ancient life?

      An exhibition that looks at death and funerary practice through thirteen elaborate Apulian vases from Southern Italy now on view in Dangerous Perfection: Funerary Vases from Southern Italy!

      Funerary Vessel , South Italian, from Apulia, 340-310 B.C., terracotta red-figured volute krater< attributed to the Phrixos Group. Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      Funerary Vessel, South Italian, from Apulia, 350-325 B.C., terracotta red figured amphora attributed to the Darius Painter (the Hecuba Sub-Group).Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      11/22/14

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