Getty Museum collection

Posted in Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

A Smartly Costumed Soldier and His Fierce Cat

An Azappo Archer with a Cheetah
An Azappo Archer with a Cheetah, about 1575, Jacopo Ligozzi. Brush, pen and brown ink, tempera colors, and painted gold, 11 1/16 x 8 3/4 in. The J. Paul Getty Museum, 91.GG.53

An extraordinary portrait of a Turkish soldier and his feline sidekick. More»

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Posted in Art & Archives, J. Paul Getty Museum, Photographs, Film, and Video

This Just In: Gordon Parks’s “Flavio” Photographs

Flavio da Silva / Gordon Parks
Purchased with funds provided by the Photographs Council. © The Gordon Parks Foundation

Searing images of poverty in 1960s Brazil. More»

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Posted in Art & Archives, Getty Research Institute, Manuscripts and Books

The Origins of Flavored Waters

Recipes for distilling peach, bitter orange, citron, and lemon flower waters / Walther Hermann Ryff
Recipes for distilling peach, bitter orange, citron, and lemon flower waters. Hand-colored woodcuts from Walther Hermann Ryff’s Das new groß Distiller Buch (Frankfurt: Heirs of Christian Egenolff, 1556). The Getty Research Institute

Expensive flavored waters predate Whole Foods by centuries. More»

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Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books

Medieval Mysteries: Considering a Recent Acquisition

The Rejection of Joachim and Anna’s Offering, leaf from a book of hours, about 1410–30, attributed to the Rohan Master or immediate circle. Tempera colors and gold on parchment, 10 ¼ x 7 5/16 in. The J. Paul Getty Museum, Ms. 112, recto
The Rejection of Joachim and Anna’s Offering, leaf from a book of hours, about 1410–30, attributed to the Rohan Master or immediate circle. Tempera colors and gold on parchment, 10 ¼ x 7 5/16 in. The J. Paul Getty Museum, Ms. 112, recto

A manuscript page bursting with art historical mysteries. More»

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Posted in Art, Art & Archives, J. Paul Getty Museum, Prints and Drawings

Depicting the Sacred through Fabric

Studies of Christ’s Loincloth / Master of the Coburg Roundels
Studies of Christ’s Loincloth, about 1490, Master of the Coburg Roundels. Pen and brown and black ink with brown and gray wash, 11 x 8 1/8 in. The J. Paul Getty Museum, 93.GA.10

What is this unusual drawing all about? More»

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Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books, technology

Medieval Manuscripts and Digital Curation

Eat, Drink, and Be Merry virtual exhibition

From tasty to terrifying, three virtual exhibits explore the wealth of illuminated manuscripts. More»

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Posted in Art & Archives, Editor's Picks, J. Paul Getty Museum, Manuscripts and Books

Reconstructing Medieval Bread

Baking Bread / Unknown illuminator, Belgium
Baking Bread (detail) in a psalter by an unknown illuminator, Belgium, mid-1200s. Tempera colors, gold leaf, and ink on parchment, each leaf 9 1/4 x 6 1/2 in. The J. Paul Getty Museum, Ms. 14, fol. 8v

A food historian sleuths the reality of medieval bread-baking. More»

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Posted in Art & Archives, J. Paul Getty Museum, Paintings

Louis Style in the Getty Galleries

Detail of frame on Fruit Piece / Van Huysum

13 gorgeous frames from the Golden Age of French frame-making. More»

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Posted in Art & Archives, J. Paul Getty Museum, Photographs, Film, and Video

The Man Who Photographed Ghosts

Mrs. Tinkham (detail), 1862-1875, William H. Mumler. Albumen silver print. 3 3/4 x 2 1/4 inches. The J. Paul Getty Museum. 84.XD.760.1.7
Mrs. Tinkham (detail), 1862-1875, William H. Mumler. Albumen silver print. 3 3/4 x 2 1/4 inches. The J. Paul Getty Museum. 84.XD.760.1.7

Meet the world’s first spirit photographer, William H. Mumler. More»

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Posted in Art, Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, technology

Pastels, Portraits, and Paramours

Portrait of John, Lord Mountstuart / Jean-Etienne Liotard
Portrait of John, Lord Mountstuart, later 4th Earl and 1st Marquess of Bute (detail), 1763, Jean-Étienne Liotard. Pastel on parchment, 45 1/4 x 35 1/2 in. The J. Paul Getty Museum, 2000.58

A new installation celebrates an 18th-century pastel master. More»

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      thegetty:

      GAME OF THRONES: SEASON 6, EPISODE 2

      Winter is coming. All men must die. And Game of Thrones is back! Stay tuned each week as we unpack Sunday’s episodes through masterpieces.

      Winter is coming indeed! A snowy forecast has just been resurrected thanks to a please-touch-me-and-cut-my-hair lady in red. The epic line “I drink and I know things” provides especially good wisdom for how to tame two dragons

      Several characters went at it this week: a soldier and a friar exchanged heated remarks in the presence of an armed peace mob, a girl with no name and another not-so-kind girl went stick to stick, a crow and a giant went crossbow to stone wall, a first-born son stabbed his father, starving hounds and a new mother went canines to flesh, and two brothers duked it out on a swinging bridge (one fell). Plus, the three-eyed raven (who sits in a tree) taught a forgotten character how to look into the past.


      To make our Game of Thrones posts more international, we’ll feature an image from our Global Middle Ages exhibition and pick “wildcard” images from other collections around the world.

      This week’s pick from the Getty’s Traversing the Globe exhibition comes from @lacma (because we love dragons). The wildcard images were selected from the British Museum (more dragons), the Morgan Library (giants!), and the Museo del Prado (hounds).

      Dive deeper with featurettes connecting the making of medieval manuscripts to the making of fantasy TV. 

      image

      #DesigningGoT - Live Stream May 4 at 7 PM PST

      Michele Clapton, costume designer for the first five seasons of Game of Thrones, joins Deborah Landis, director of the Copley Center for Costume Design at UCLA, and Bryan C. Keene, assistant curator of manuscripts at the Getty, to discuss the series’ medieval aesthetic and the visual sources for her designs.

      Tune in to the live stream here.

      05/04/16

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