Getty Museum collection

Posted in Art, J. Paul Getty Museum, Manuscripts and Books

On the 12 Days of Christmas, My True Love Gave to Me…

A Partridge (detail)/from a bestiary
A Partridge (detail) in a bestiary, about 1270. Tempera colors, gold leaf, and ink on parchment, 7 ½ x 5 5/8 in. (19.1 x 14.3 cm). The J. Paul Getty Museum, Ms. Ludwig XV 3, fol. 38v

Illuminated manuscripts are one of my true loves, and as a treat for the 12 days of Christmas, I’d like to share just a few of the glorious things that my true love gave to me this year. On the… More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Day Without Art: Robert Mapplethorpe and His Artistic Shift

Self-Portrait / Robert Mapplethorpe
Self-Portrait, 1988, Robert Mapplethorpe. Platinum print, 23 1/8 x 19 in. Jointly acquired by The J. Paul Getty Trust and the Los Angeles County Museum of Art. Partial gift of The Robert Mapplethorpe Foundation; partial purchase with funds provided by The J. Paul Getty Trust and the David Geffen Foundation. © Robert Mapplethorpe Foundation

December 1, 2012, marks the 24th year that museums and other art organizations have observed Day With(out) Art in order to raise awareness about the AIDS epidemic. Although medical advances in the treatment of HIV/AIDS have improved the lives of… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum

Actor Peter Weller Discusses Renaissance Florence (and Answers Your Questions!)

Peter Weller in Padua
Actor Peter Weller in Padua, Italy

Actor and director Peter Weller is known for his many film and television roles, most famously Robocop in Paul Verhoeven’s campy classic. However, Weller’s interests go far beyond the camera—he is a scholar of Italian Renaissance art who is completing… More»

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Posted in Art, Paintings, Photographs, Film, and Video, Prints and Drawings

Dogs Behaving Badly

A Merry Company / Jacob Jordaens
A Merry Company, about 1644, Jacob Jordaens. Watercolor and white gouache heightening over black chalk. The J. Paul Getty Museum, 2000.59

Most dogs are impeccably well behaved—in art, anyway. They sit quietly on laps, raise a paw for their beloved master, or contort themselves into perfect S curves. The king of Old Master dogs is Guercino’s heroic mastiff, who looks like… More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Slaving Over a Hot Medieval Stove

Baking Bread / Unknown illuminator, Belgium
Baking Bread (detail) in a psalter by an unknown illuminator, Belgium, mid-1200s. Tempera colors, gold leaf, and ink on parchment, each leaf 9 1/4 x 6 1/2 in. The J. Paul Getty Museum, Ms. 14, fol. 8v

If cooking for a crowd seems like hard work today, imagine what it must have been like in the Middle Ages, before the advent of electricity, indoor plumbing, or take-out. Two illuminations from a psalter (book of Psalms) offer a… More»

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Posted in Art, Behind the Scenes, Education, Getty Center, J. Paul Getty Museum

Project Switch: A Small Game Experiment Yields Big Lessons

Switch is a new in-gallery mobile game at the Getty Center.
Switch game screen

Earlier this year, I worked on an experimental project to create a simple game that would be played in the galleries with a mobile phone (find the game here). The idea came from my colleague Rebecca Edwards (no relation), a… More»

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Posted in Ancient World, Antiquities, Art, J. Paul Getty Museum, Sculpture and Decorative Arts

“Not Like a Coward”: Remembering a Warrior’s Death

Gravestone of Pollis / Greek
Gravestone of Pollis, Greek, made in Megara, about 480 B.C. Marble, 60 1/4 in. high. The J. Paul Getty Museum, 90.AA.129

The intimate association between being remembered and risking one’s life on the battlefield lies at the heart of Homer’s Iliad. The preeminent warrior Achilles famously chose to die young in battle and be forever honored, and this heroic code is well… More»

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Posted in Ancient World, Antiquities, Art, J. Paul Getty Museum

Voting with the Ancient Greeks

Voting with psephoi in a scene from the Wine Cup with the Suicide of Ajax / Brygos Painter

This Greek wine cup from the 5th century B.C. offers one of the earliest depictions of voting in art. As the Trojan War rages, Greek chieftains are forced to choose between the competing claims of heroes Ajax and Odysseus to… More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

What Time Is It? In the Collection, It’s Always 10:10

Wall Clock / Andre-Charles Boulle
Wall Clock, about 1710, attributed to André-Charles Boulle. Gilt bronze veneered with blue painted horn and brass; enameled metal; glass. 2 ft. 4 in. high. The J. Paul Getty Museum, 73.DB.74

For the clocks in the Getty Museum’s collection, time stands eternally still. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Simultaneous Viewing and Ray Metzker’s Composites

Chicago / Ray K. Metzker
The Nelson-Atkins Museum of Art, Gift of Hallmark Cards, Inc., 2005.27.1966. © Ray K. Metzker

The exhibition The Photographs of Ray K. Metzker and the Institute of Design in the Center for Photographs charts the five-decade-long career of Philadelphia-based photographer Ray K. Metzker and offers a context for his visual aesthetic through a selection of works by founding members and influential students of Chicago’s Institute of Design. More»

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      The Union Oil Center was completed in 1958 and became the highest building in downtown Los Angeles (mostly thanks to the convenient hill it is situated upon). 

      This neighborhood became known for the 19th century oil boom. However, come the ’90s, the building was up for demolition. Saved by Hollywood, this building became the Los Angeles Center Studios complete with a “vertical backlot.” What other SoCal oil buildings have transformed in time? The Huntington has one.  

      We’re teaming up The Huntington’s tumblr to bring you historic Los Angeles images on Wednesdays through August 6 as part of No Further West.

      Union Oil Center, 1957, Julius Shulman. Getty Research Institute. Julius Shulman Photography Archive.

      07/23/14

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