Getty Research Institute conservation

Posted in Behind the Scenes, Getty Research Institute

Bringing Order to Harald Szeemann’s Unfiled Posters

Three posters from the Harald Szeemann archive
Three posters from Szeemann’s projects: 12 Environments (1968), signed by Christo; Documenta 5 (1972), designed by Edward Ruscha; and The Tendency towards the Gesamtkunstwerk (1983), designed by Markus Raetz. The Getty Research Institute, 2011.M.30

How do you organize and catalog 1,200 posters? More»

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Posted in Conservation, Getty Research Institute, technology

Preventing Digital Decay

Digitally decayed scan of a book from the Getty Research Institute / Bernard Picart
Crop of a digitally decayed scan of a page from Ceremonies et coutumes religieuses de tous les peuples du monde, representeées par des figures dessinées de la main de Bernard Picard, avec une explication historique, & quelques dissertations curieuses, 1723–1743. The Getty Research Institute, 1387-555

Digital files are fragile. What to do? More»

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Posted in Art, Art & Archives, Behind the Scenes, Conservation, Getty Research Institute, technology

Lifted Cellulose Nitrate: Conserving an Early Robert Mapplethorpe Object

Untitled box / Robert Mapplethorpe
© Robert Mapplethorpe Foundation

A conservator’s view of a complex and unusual object by Robert Mapplethorpe. More»

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Posted in Architecture and Design, Art & Archives, Behind the Scenes, Conservation, Editor's Picks, Getty Research Institute, technology

Conserving Architectural Models: Behind the Scenes in the Research Institute Conservation Lab

Tom Learner and Juliane Wattig, working on an architectural model
Photo: Scott S. Warren

How are architectural models conserved? A look at the field, and two displayed in “Overdrive.” More»

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      Composed from memories and from drawings made during his travels in Italy, Jean-Baptiste-Camille Corot painted this view for the Paris Salon of 1839. A dramatic colored sky and a few lone figures appealed to the melancholic sensibilities of the Romantic critics of the time.


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