grants

Posted in Behind the Scenes, Getty Foundation, Research

Thirty-Eight Scholars Will Visit the Getty to Study the Materials of Art and the History of Classical Egypt

Monica Juneja, Matthew Robb, and Larry A. Silver
2014–15 scholars Monica Juneja, Matthew Robb, and Larry A. Silver in conversation at the Getty Research Institute

Thirty-eight scholars will pursue research at the Getty for coming scholar year. More»

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Posted in Behind the Scenes, Getty Foundation

Grad Intern Diary: Jennifer Potter

J1

A fruitful year at the Getty Foundation More»

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Posted in Behind the Scenes, Getty Foundation, J. Paul Getty Museum

Grad Intern Diary: Rheagan Martin

Rheagan Martin / Graduate Intern

A year of manuscripts, coins, and English weather. More»

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Posted in Getty Foundation, Paintings, Research

New E-Book Explores Early Netherlandish Art

Screen capture showing The Legend of St. Joseph / follower of Robert Campin
Detail of The Legend of St. Joseph, possibly ca. 1490–1500, follower of Robert Campin. Hoogstraten, Church of St. Catherine. From Frames and Supports in 15th- and 16th-Century Southern Netherlandish Painting

New online resource explores panel paintings of the 1400s and 1500s More»

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Posted in Behind the Scenes, Getty Foundation, Paintings

Best Supporting Role

Peter Paul Rubens's Triumph of the Church during treatment
© José de la Fuente

Conserving Peter Paul Rubens, panel by panel. More»

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Posted in Art, Getty Conservation Institute, Getty Foundation

Conserving Mosaics in the Middle East and North Africa, A MOSAIKON Trainer’s Account

mosaikon-1
A participant in 2014 MOSAIKON training workshop organized by the Centro di Conservazione Archeologica (CCA) and supported by the Getty Foundation conserves a second-century Roman mosaic

A conversation with mosaics expert Roberto Nardi about conservation training. More»

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Posted in Behind the Scenes, Getty Foundation

The Getty Foundation’s 30th Anniversary

Shelf of exhibition catalogues from Pacific Standard Time: Art in L.A., 1945-1980
Pacific Standard Time publications

A look back at the Getty Foundation’s 30 years of support for study and preservation of the visual arts. More»

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Posted in Architecture and Design, Getty Foundation

Getty Foundation Announces “Keeping It Modern”

Keeping it Modern / A Getty Foundation initiative to conserve 20th-century architecture

A new initiative focuses on advancing the conservation of modern architecture. More»

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Posted in Art, Getty Foundation, Research

Summer Camp for Art Historians

Photo: Frettie, CC By-SA 3.0

Three summer institutes convene art historians to push digital art history forward. More»

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Posted in Getty Foundation, Philanthropy, Publications, Research

What Is a Page in the Digital Age?

On Performativity / Walker Art Center
View of the Walker’s new OSCI publication, On Performativity. Image courtesy Walker Art Center

A new crop of digital museum catalogues reinvents the page for the 21st century. More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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