Gustav Klimt

Posted in Art, Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Getty Voices: The Poetry of Paper

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Our new drawings exhibition takes an unusual look at negative space, through the lens of poetry. More»

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Posted in Getty Research Institute, J. Paul Getty Museum

Being Jewish in Austria: Four Questions for Writer and Critic Ruth Kluger

Kunsthistorisches Museum in Vienna

This Sunday the Getty Research Institute and the Getty Museum are teaming up to present Arthur Schnitzler and Vienna 1900. The program begins with a staged reading of Arthur Schnitzler—Being Jewish. Based on the journals and correspondence of renowned Austrian… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Drawings by Contemporaries of Gustav Klimt in W104

Study for Poster: Fruit / Mucha
Study for the poster Fruit, 1897, Alphonse Mucha. Pastel, 25 9/16 x 15 3/8 in. Lent by Eva and Brian Sweeney

The West Pavilion of the Getty Center contains a surprise, the cabinet-like space known as Gallery W104. For the past three years, W104 has hosted a changing display of drawings and watercolors related to exhibitions nearby—most often, the one just… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

The Cult of Klimt

Study for the Figure of Lasciviousness (Beethoven Frieze) / Gustav Klimt
Study for the Figure of "Lasciviousness" (Beethoven Frieze), 1901, Gustav Klimt. Black Chalk. Albertina, Vienna, Gift of Elisabeth Lederer

July 14 marks the 150th anniversary of Gustav Klimt’s birth, an event celebrated by exhibitions and events in Vienna and right here at the Getty, with Gustav Klimt: The Magic of Line. This summer, we are in the grips of… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Gustav Klimt, Draftsman

31887201

Gustav Klimt did not speak about his art, but he left many drawings that attest to the richness of his creative process. Gustav Klimt: The Magic of Line, opening today at the Getty Center, coaxes these drawings to speak, revealing… More»

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      What did death mean in Ancient life?

      An exhibition that looks at death and funerary practice through thirteen elaborate Apulian vases from Southern Italy now on view in Dangerous Perfection: Funerary Vases from Southern Italy!

      Funerary Vessel , South Italian, from Apulia, 340-310 B.C., terracotta red-figured volute krater< attributed to the Phrixos Group. Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      Funerary Vessel, South Italian, from Apulia, 350-325 B.C., terracotta red figured amphora attributed to the Darius Painter (the Hecuba Sub-Group).Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      11/22/14

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