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Posted in Art, Behind the Scenes, Photographs, Film, and Video

Mikiko Hara Answers Your Questions about Photography

Mikiko with her camera in front of her photograph on view in In Focus: Tokyo
Mikiko with her camera in front of her photograph on view in In Focus: Tokyo

10 questions for Japanese street photographer Mikiko Hara. More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Neon Hitmen

tokyo_featured

Tokyo Drifter, screening this weekend, “smacks you in the face with a bucket of WTF paint.” More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Pointing East, Thinking West: Felice Beato’s Photographic View

Interior of the Sikh Temple with Marble Mosaic, Felice Beato (British, born Italy, 1832–1909), negative, 1858; print 1862. Printed by Henry Hering. The J. Paul Getty Museum, 84.XM.475.7

Whether he planted his tripod in India, China, Japan, Korea, or Burma, the Italian-born photographer Felice Beato always portrayed a country’s culture through a distinctly Western lens. The Museum’s current exhibition of his work, Felice Beato: A Photographer on the… More»

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Posted in Education, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Making Over Early Photographs with Color

Luther Gerlach hand-colors a sepia photograph at an Artist-at-Work Demonstration

“First, ever so lightly, I take a little flesh-colored pigment and add a bit of color to his face,” said Luther Gerlach as he glided his brush over an old photograph of a boy clutching a hat. “Then let’s add… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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