Japan

Posted in Art, Art & Archives, J. Paul Getty Museum, Photographs, Film, and Video, technology

Photography and Memory in the Wake of a Tsunami

Portrait of Cultivation from Rasen Kaigan (Spiral Shore) / Shiga Lieko
Purchased with funds provided by the Photographs Council. © Shiga Lieko

“In the space of photographs, there is no past, present or future.” More»

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Posted in Art, Art & Archives, Prints and Drawings

Why the Iconic “Great Wave” Swept the World

Under the Wave off Kanagawa / Hosukai
Photograph © Museum of Fine Arts, Boston

The world’s most iconic image of a tsunami isn’t actually a tsunami. More»

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Posted in Art, Art & Archives, Behind the Scenes, Photographs, Film, and Video, technology

Mikiko Hara Answers Your Questions about Photography

Mikiko with her camera in front of her photograph on view in In Focus: Tokyo
Mikiko with her camera in front of her photograph on view in In Focus: Tokyo

10 questions for Japanese street photographer Mikiko Hara. More»

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Posted in Art, Art & Archives, Behind the Scenes, Photographs, Film, and Video

Beyond Mikiko Hara’s Viewfinder

Untitled (Is As It), negative 1996; print about 2007, Mikiko Hara. Chromogenic print. 14 x 14 inches. J. Paul Getty Museum. Purchased with funds provided by the Photographs Council. © Mikiko Hara

Why do Mikiko Hara’s photographs look so familiar? More»

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Posted in Art & Archives, J. Paul Getty Museum, Photographs, Film, and Video

Tokyo Stories

Still from Adrift in Tokyo / 2007
Courtesy of The Japan Foundation, Los Angeles

Three filmmakers have radically different takes on the city of Tokyo. More»

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Posted in Art & Archives, Behind the Scenes, Exhibitions and Installations, Getty Center, technology

Music of a Megalopolis: A Playlist for “In Focus: Tokyo”

Picnic #34, 2005, Masato Seto. 16 15/16 x 21 7/16 inches. J. Paul Getty Museum. Purchased with funds provided by the Photographs Council. © Masato Seto - See more at: http://blogs.getty.edu/iris/?p=19524&preview=true&preview_id=19524&preview_nonce=3c13e75aeb#sthash.F66nqPWm.dpuf
Picnic #34, 2005, Masato Seto. 16 15/16 x 21 7/16 inches. J. Paul Getty Museum. Purchased with funds provided by the Photographs Council. © Masato Seto - See more at: http://blogs.getty.edu/iris/?p=19524&preview=true&preview_id=19524&preview_nonce=3c13e75aeb#sthash.F66nqPWm.dpuf

A music soundtrack for the exhibition “In Focus: Tokyo.” More»

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Posted in Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

An Intimate View of Tokyo

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Picnic #2, 1998, Masato Seto. Silver-dye bleach print. The J. Paul Getty Museum, 2006.34.1. Purchased with funds provided by the Photographs Council. © Masato Seto

Four photographers capture an intimate view of the most populous cities in the world: Tokyo. More»

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Posted in Art & Archives, J. Paul Getty Museum, Photographs, Film, and Video

Neon Hitmen

tokyo_featured

Tokyo Drifter, screening this weekend, “smacks you in the face with a bucket of WTF paint.” More»

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Posted in Art, Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Pointing East, Thinking West: Felice Beato’s Photographic View

Interior of the Sikh Temple with Marble Mosaic, Felice Beato (British, born Italy, 1832–1909), negative, 1858; print 1862. Printed by Henry Hering. The J. Paul Getty Museum, 84.XM.475.7

Whether he planted his tripod in India, China, Japan, Korea, or Burma, the Italian-born photographer Felice Beato always portrayed a country’s culture through a distinctly Western lens. The Museum’s current exhibition of his work, Felice Beato: A Photographer on the… More»

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Posted in Art & Archives, Education, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Making Over Early Photographs with Color

Luther Gerlach hand-colors a sepia photograph at an Artist-at-Work Demonstration

“First, ever so lightly, I take a little flesh-colored pigment and add a bit of color to his face,” said Luther Gerlach as he glided his brush over an old photograph of a boy clutching a hat. “Then let’s add… More»

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      Composed from memories and from drawings made during his travels in Italy, Jean-Baptiste-Camille Corot painted this view for the Paris Salon of 1839. A dramatic colored sky and a few lone figures appealed to the melancholic sensibilities of the Romantic critics of the time.

      05/01/16

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