About: Sarah Zabrodski

I'm an arts writer and a graduate intern in the publications department of the Getty Research Institute.

Posts by Sarah

Posted in Art, Exhibitions and Installations, Getty Research Institute

Louis XIV, the Original King of Viral Media

Louis le Grand / Pierre Drevet after Hyacinthe Rigaud
Louis le Grand 1714–1715, Pierre Drevet after Hyacinthe Rigaud. Engraving. The Getty Research Institute, 2011.PR.13

The original tech-savvy celebrity. More»

Tagged , , , , , , , , 1 Response
Posted in Art, Getty Research Institute, Photographs, Film, and Video

This Just In: Fantastic Island

Image from Fantastic Island / Patricia Lagarde
© Patricia Lagarde

An old fishing boat inspires a fantastic tale of heroism and disaster. More»

Tagged , , , , Leave a comment
Posted in Art, J. Paul Getty Museum, Prints and Drawings

This Just In: The Romantic Zeitgeist

A Swan among Reeds by Moonlight, September 18, 1852, Carl Gustav Carus, charcoal with white chalk heightening on brown paper. The J. Paul Getty Museum.
A Swan among Reeds by Moonlight, September 18, 1852, Carl Gustav Carus, charcoal with white chalk heightening on brown paper. The J. Paul Getty Museum.

Three Romantic drawings are on view for the first time. More»

Tagged , , , , , , Leave a comment
Posted in Art, Getty Research Institute, Prints and Drawings

This Just In: The Genius of Lithography

The Genius of Lithography / Nicolas Henri Jacob
The Genius of Lithography, 1819, Nicolas Henri Jacob (French, 1781–1871), lithographer. Lithograph, 19.2 x 16.4 cm (sheet 22 x 18.4 cm). Originally published in Alois Senefelder, L'art de la lithographie (Munich, 1819). The Getty Research Institute, 2014.PR.8

The improbable story of the invention of lithography. More»

Tagged , , , , , , , Leave a comment
Posted in Getty Research Institute, Photographs, Film, and Video, Research

This Just In: The Shunk-Kender Archive

Harry Shunk (left) and Janos Kender in 1961
Harry Shunk (left) and János Kender in 1961 at a dinner for artist Lucio Fontana at La Coupole in Montparnasse, Paris. Photo: Shunk-Kender. The Getty Research Institute, 2014.R.20

The 20th-century art scene, told in photographs. More»

Tagged , , , , , , , Leave a comment
Posted in Art, Getty Research Institute, Prints and Drawings

This Just In: 19th-Century “Peep Show” Was the Forerunner of 3D Movies

Diorama of King Ludwig’s Canal, detail of etchings
Diorama of King Ludwig’s Canal (detail), about 1846, printed in Germany. Seven hand-colored etchings with front and back boards, each 16 x 22 cm. The Getty Research Institute, 2013.PR.37

Let us marvel at this low-tech wonder from the past. More»

Tagged , , , , , , , 1 Response
Posted in Getty Research Institute, Prints and Drawings

This Just In: Anatomy in Wax, Wood, and Ink

“These prints preserve a fascinating moment in the history of art and science, through the meeting point of anatomy.” More»

Tagged , , , , , , , Leave a comment
Posted in J. Paul Getty Museum, Photographs, Film, and Video

This Just In: The Sublime in the Everyday

Cookie in the Snow, Seacoal Camp, Lynemouth, Northumberland / Chris Killip
"Cookie" in the Snow, Seacoal Camp, Lynemouth, Northumberland, 1985, Chris Killip. Gelatin silver print, 10 7/8 x 13 3/8 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.25.11. © Chris Killip

Chris Killip’s photographs depict hard-working people in a bleak yet visually stunning setting. More»

Tagged , , , , , 1 Response
Posted in Art

“An Object Called Art”

Watts Towers by Simon Rodia / Los Angeles

More than a monument of outsider art, Watts Towers celebrate the creativity that exists in every human being. More»

Tagged , , , , , , 1 Response
Posted in Art

The Museum That Proudly Defies Understanding

Google Image search for exhibits at the Museum of Jurassic Technology
Photos don't capture the experience of the MJT. Moreover, they're forbidden.

If the wall label says it, it must be true. Right? More»

Tagged , , , 2 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      The boxer is resting in the Getty Museum’s galleries through November 1.

      He’s older, he’s muscular, he’s exhausted. This less than idealized figure is typical of the Hellenistic style of sculpture that celebrated the portrait as a way to portray emotion.

      So what do you think, did he win or lose?


      Seated Boxer, “The Terme Boxer,” 300–200 B.C., bronze and copper. Museo Nazionale Romano—Palazzo Massimo alle Terme, Rome. Su concessione del Ministero dei beni e delle attività culturali e del turismo—Soprintendenza Speciale per il Colosseo, il Museo Nazionale Romano e l’area archeologica di Roma. Photo © Vanni Archive / Art Resource, NY

      08/01/15

  • Flickr