About: Sarah Zabrodski

I'm an arts writer and a graduate intern in the publications department of the Getty Research Institute.

Posts by Sarah

Posted in Behind the Scenes, People & Places

Designing the Art Book

editB0010104

Inside the design process, from parchment to page. More»

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Posted in Art, Art & Archives, Behind the Scenes

This Just In: The Correspondence of Art-World Power Couple Lawrence Alloway and Sylvia Sleigh

Envelope containing a letter from Lawrence Alloway to Sylvia Sleigh, February 2, 1948
Envelope containing a letter from Lawrence Alloway to Sylvia Sleigh, February 2, 1948. Alloway addressed mail to Sleigh under her married name, Greenwood. The Getty Research Institute, 2003.M.46

Newly digitized letters reveal a romantic and intellectual love affair. More»

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Posted in Art, Art & Archives, J. Paul Getty Museum, Photographs, Film, and Video, technology

Photography and Memory in the Wake of a Tsunami

Portrait of Cultivation from Rasen Kaigan (Spiral Shore) / Shiga Lieko
Purchased with funds provided by the Photographs Council. © Shiga Lieko

“In the space of photographs, there is no past, present or future.” More»

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Posted in Art & Archives, J. Paul Getty Museum, Photographs, Film, and Video

This Just In: Gordon Parks’s “Flavio” Photographs

Flavio da Silva / Gordon Parks
Purchased with funds provided by the Photographs Council. © The Gordon Parks Foundation

Searing images of poverty in 1960s Brazil. More»

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Posted in Art & Archives, Exhibitions and Installations, Prints and Drawings

17th-Century Print Offers a Field Guide to Laziness and Gluttony

Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most / Remondini
Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most, 1606, Remondini family (Bassano). Hand-colored engraving, 16 5/16 x 21 7/8 in. The Getty Research Institute, 2014.PR.72

“Here you only worry about being happy!” More»

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Posted in Art, Art & Archives, Exhibitions and Installations, Getty Research Institute

Louis XIV, the Original King of Viral Media

Louis le Grand / Pierre Drevet after Hyacinthe Rigaud
Louis le Grand 1714–1715, Pierre Drevet after Hyacinthe Rigaud. Engraving. The Getty Research Institute, 2011.PR.13

The original tech-savvy celebrity. More»

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Posted in Art, Art & Archives, Getty Research Institute, Photographs, Film, and Video

This Just In: Fantastic Island

Image from Fantastic Island / Patricia Lagarde
© Patricia Lagarde

An old fishing boat inspires a fantastic tale of heroism and disaster. More»

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Posted in Art, Art & Archives, J. Paul Getty Museum, Prints and Drawings

This Just In: The Romantic Zeitgeist

A Swan among Reeds by Moonlight, September 18, 1852, Carl Gustav Carus, charcoal with white chalk heightening on brown paper. The J. Paul Getty Museum.
A Swan among Reeds by Moonlight, September 18, 1852, Carl Gustav Carus, charcoal with white chalk heightening on brown paper. The J. Paul Getty Museum.

Three Romantic drawings are on view for the first time. More»

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Posted in Art, Art & Archives, Getty Research Institute, Prints and Drawings

This Just In: The Genius of Lithography

The Genius of Lithography / Nicolas Henri Jacob
The Genius of Lithography, 1819, Nicolas Henri Jacob (French, 1781–1871), lithographer. Lithograph, 19.2 x 16.4 cm (sheet 22 x 18.4 cm). Originally published in Alois Senefelder, L'art de la lithographie (Munich, 1819). The Getty Research Institute, 2014.PR.8

The improbable story of the invention of lithography. More»

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Posted in Art & Archives, Getty Research Institute, Photographs, Film, and Video, Scholarship

This Just In: The Shunk-Kender Archive

Harry Shunk (left) and Janos Kender in 1961
Harry Shunk (left) and János Kender in 1961 at a dinner for artist Lucio Fontana at La Coupole in Montparnasse, Paris. Photo: Shunk-Kender. The Getty Research Institute, 2014.R.20

The 20th-century art scene, told in photographs. More»

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      Composed from memories and from drawings made during his travels in Italy, Jean-Baptiste-Camille Corot painted this view for the Paris Salon of 1839. A dramatic colored sky and a few lone figures appealed to the melancholic sensibilities of the Romantic critics of the time.

      05/01/16

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