About: Sarah Zabrodski

I'm an arts writer and a graduate intern in the publications department of the Getty Research Institute.

Posts by Sarah

Posted in J. Paul Getty Museum, Photographs, Film, and Video

This Just In: Gordon Parks’s “Flavio” Photographs

Flavio da Silva / Gordon Parks
Purchased with funds provided by the Photographs Council. © The Gordon Parks Foundation

Searing images of poverty in 1960s Brazil. More»

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Posted in Exhibitions and Installations, Prints and Drawings

17th-Century Print Offers a Field Guide to Laziness and Gluttony

Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most / Remondini
Description of the Land of Cockaigne, Where Whoever Works the Least Earns the Most, 1606, Remondini family (Bassano). Hand-colored engraving, 16 5/16 x 21 7/8 in. The Getty Research Institute, 2014.PR.72

“Here you only worry about being happy!” More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Louis XIV, the Original King of Viral Media

Louis le Grand / Pierre Drevet after Hyacinthe Rigaud
Louis le Grand 1714–1715, Pierre Drevet after Hyacinthe Rigaud. Engraving. The Getty Research Institute, 2011.PR.13

The original tech-savvy celebrity. More»

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Posted in Art, Getty Research Institute, Photographs, Film, and Video

This Just In: Fantastic Island

Image from Fantastic Island / Patricia Lagarde
© Patricia Lagarde

An old fishing boat inspires a fantastic tale of heroism and disaster. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

This Just In: The Romantic Zeitgeist

A Swan among Reeds by Moonlight, September 18, 1852, Carl Gustav Carus, charcoal with white chalk heightening on brown paper. The J. Paul Getty Museum.
A Swan among Reeds by Moonlight, September 18, 1852, Carl Gustav Carus, charcoal with white chalk heightening on brown paper. The J. Paul Getty Museum.

Three Romantic drawings are on view for the first time. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

This Just In: The Genius of Lithography

The Genius of Lithography / Nicolas Henri Jacob
The Genius of Lithography, 1819, Nicolas Henri Jacob (French, 1781–1871), lithographer. Lithograph, 19.2 x 16.4 cm (sheet 22 x 18.4 cm). Originally published in Alois Senefelder, L'art de la lithographie (Munich, 1819). The Getty Research Institute, 2014.PR.8

The improbable story of the invention of lithography. More»

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Posted in Getty Research Institute, Photographs, Film, and Video, Scholarship

This Just In: The Shunk-Kender Archive

Harry Shunk (left) and Janos Kender in 1961
Harry Shunk (left) and János Kender in 1961 at a dinner for artist Lucio Fontana at La Coupole in Montparnasse, Paris. Photo: Shunk-Kender. The Getty Research Institute, 2014.R.20

The 20th-century art scene, told in photographs. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

This Just In: 19th-Century “Peep Show” Was the Forerunner of 3D Movies

Diorama of King Ludwig’s Canal, detail of etchings
Diorama of King Ludwig’s Canal (detail), about 1846, printed in Germany. Seven hand-colored etchings with front and back boards, each 16 x 22 cm. The Getty Research Institute, 2013.PR.37

Let us marvel at this low-tech wonder from the past. More»

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Posted in Getty Research Institute, Prints and Drawings

This Just In: Anatomy in Wax, Wood, and Ink

“These prints preserve a fascinating moment in the history of art and science, through the meeting point of anatomy.” More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

This Just In: The Sublime in the Everyday

Cookie in the Snow, Seacoal Camp, Lynemouth, Northumberland / Chris Killip
"Cookie" in the Snow, Seacoal Camp, Lynemouth, Northumberland, 1985, Chris Killip. Gelatin silver print, 10 7/8 x 13 3/8 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.25.11. © Chris Killip

Chris Killip’s photographs depict hard-working people in a bleak yet visually stunning setting. More»

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      Studying anything at a museum gives me a peek into what might have gone through the minds of other creatives. Being with the art in person, I am able to capture so much more with my eyes than what I would from studying a photograph. The sensation you get when looking at a piece in real life is incomparable. I would recommend to any artist, if possible, studying real pieces up close before just diving into studying photos.

      —Artist @franklinlei, profiled for our #GettyInspired series today on the Iris

      Pages from Franklin’s notebook with sketches of Bernini’s Bust of Pope Paul V and Riccio’s Virgin and Child at the Getty Museum

      02/11/16

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