Middle Ages

Posted in J. Paul Getty Museum, Manuscripts and Books

Reading the Future of “Game of Thrones” through Medieval Manuscripts

Job Pointing to a Corpse on the Ground in a Book of Hours, about 1410, Follower of the Egerton Master. Tempera colors, gold leaf, gold paint, and ink on parchment, 7 ½ x 5 ½ in. (19.1 x 14 cm). The J. Paul Getty Museum, Ms. Ludwig IX 5, fol. 147

Do these manuscripts contain the secrets to the “Game of Thrones” season finale? More»

Also tagged , , 1 Response
Posted in Art, Exhibitions and Installations, Manuscripts and Books

An Illuminated Christmas

Detail of Christ and Mary from the Nativity in the St. Albans Psalter / Alexis Master
Dombibliothek Hildesheim

A nearly 900-year-old nativity scene, rendered in gold and jewel tones. More»

Also tagged , , , , Leave a comment
Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books, Voices

Getty Voices: Living with the St. Albans Psalter

Conservator's hands holding the parchment of the St. Albans Psalter
Artwork: Dombibliothek Hildesheim. Photo: Peter Kidd

Studying a precious manuscript, page by page, illumination by illumination. More»

Also tagged , , , , 1 Response
Posted in Art, Education, Exhibitions and Installations, Getty Center

Dean of Canterbury Cathedral Offers Tales of Art and Creativity

The Very Reverend Dr. Robert Willis, Dean of Canterbury
The Very Reverend Dr. Robert Willis, Dean of Canterbury

“Canterbury Cathedral tells the story of England across the centuries since the arrival of St. Augustine in 597—in glass and wood and stone, and in artifacts and music sung daily.” More»

Also tagged , , , , , , 1 Response
Posted in Art, Exhibitions and Installations, Manuscripts and Books, Voices

Getty Voices: Saints and Heroes

The Martyrdom of Saint Apollonia / Lieven van Lathem
The Martyrdom of Saint Apollonia, 1469, Lieven van Lathem. Tempera colors, gold leaf, gold paint, silver paint, and ink on parchment, 2 1/2 x 1 13/16 in. The J. Paul Getty Museum, Ms. 37, fol. 50v

Saints are all around us, whether we realize it or not. In the Middle Ages, it was even more so. More»

Also tagged , , , , 1 Response
Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Sicily, The International Island

The Crucifixion and the Harrowing of Hell / Sicilian
The Crucifixion and the Harrowing of Hell in a New Testament, Sicilian, late 1100s. Tempera colors, gold leaf, and ink on parchment, 9 11/16 x 6 3/8 in. The J. Paul Getty Museum, Ms. Ludwig I 5, fol. 191v

Medieval Sicily was a hotbed of political turmoil and artistic innovation. More»

Also tagged , , , , , , 1 Response
Posted in Art, Conservation, Getty Conservation Institute, Manuscripts and Books, Paintings

What Do Rocks Have to Do with Renaissance Art?

jerome_azurite_featured

Why the manuscript illuminations in Florence at the Dawn of the Renaissance really rock. More»

Also tagged , , , , , , 1 Response
Posted in Behind the Scenes, Conservation, Getty Foundation, Paintings, Philanthropy

Conserving Pacino di Bonaguida: My Getty Foundation Fellowship

Madonna and Child with Saints / Pacino

The Panel Paintings Initiative is training the next generation of conservators of paintings on wood panels, and including professionals from Eastern Europe is a high priority. In this post, Polish conservator Aleksandra Hola describes her experience with the program. For… More»

Also tagged , , , , , , , , , 3 Responses
Posted in Art, J. Paul Getty Museum, Manuscripts and Books

On the 12 Days of Christmas, My True Love Gave to Me…

A Partridge (detail)/from a bestiary
A Partridge (detail) in a bestiary, about 1270. Tempera colors, gold leaf, and ink on parchment, 7 ½ x 5 5/8 in. (19.1 x 14.3 cm). The J. Paul Getty Museum, Ms. Ludwig XV 3, fol. 38v

Illuminated manuscripts are one of my true loves, and as a treat for the 12 days of Christmas, I’d like to share just a few of the glorious things that my true love gave to me this year. On the… More»

Also tagged , , , 1 Response
Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Christmas Adventures, from Silver Screen to Gilded Page

Alistair Sim as Scrooge repents his selfish ways in the 1951 movie version of A Christmas Carol
Scrooge repents his selfish ways in the 1951 movie version of A Christmas Carol. Courtesy of United Artists

I love Christmas movies, from the moment when Natalie Wood is stunned by Santa Claus speaking Dutch in Miracle on 34th Street to Rudolph setting off with Hermey the dentist in Rudolph the Red-Nosed Reindeer. One of my other great… More»

Also tagged , , , , , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

  • Flickr