About: Bryan C. Keene

I’m assistant curator in the Department of Manuscripts at the Getty Museum. I'm pursuing a PhD at The Courtauld Institute of Art in London and I hold a master’s from Syracuse University in Italian Renaissance art as well as a bachelor’s degree from Pepperdine University in art history and Romance linguistics and cultures. My most recent projects were the exhibition and book Gardens of the Renaissance and the exhibition Renaissance Splendors of the Northern Italian Courts (available also on Google Open Gallery). I was also contributing curator and author to the exhibition and catalogue Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350. I am currently working on the exhibition Traversing the Globe through Illuminated Manuscripts, which opens January 26, 2016.

Posts by Bryan C.

Posted in Art, Art & Archives, Scholarship, technology

Global Pathways through Medieval Manuscripts and the Modern Museum

Global inspiration from the Getty permanent collection.
Global inspiration from the Getty permanent collection.

Contextualizing early book arts in world history. More»

Tagged , , , , 2 Responses
Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books

Star Wars and Medieval Manuscripts

A Star Wars-inspired tour of celestial images in our manuscripts collection. More»

Tagged , , , , : | 1 Response
Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books, technology

Medieval Manuscripts and Digital Curation

Eat, Drink, and Be Merry virtual exhibition

From tasty to terrifying, three virtual exhibits explore the wealth of illuminated manuscripts. More»

Tagged , , , , , : | 1 Response
Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books

Deathly Meditations in Medieval Manuscripts

The Martyrdom of Saint Sebastian, Master of Sir John Fastolf, about 1430-40. The J. Paul Getty Museum, Ms. 5, fol. 36v
The Martyrdom of Saint Sebastian, Master of Sir John Fastolf, about 1430-40. The J. Paul Getty Museum, Ms. 5, fol. 36v

Death is coming. Prepare with these images from illuminated manuscripts. More»

Tagged , , , , , , : | Leave a comment
Posted in Art & Archives, Behind the Scenes, J. Paul Getty Museum, Manuscripts and Books

A Manuscript Collector’s Perspective

What draws an art collector to focus on Renaissance manuscripts? More»

Tagged , , , : | Leave a comment
Posted in Art, Art & Archives, Manuscripts and Books

The Wars to Come: Game of Thrones and Medieval Art

Philosophy Consoling Boethius and Fortune Turning the Wheel (detail) from The Consolation of Philosophy by Boethius, Coëtivy Master (Henri de Vulcop?), about 1460—70. The J. Paul Getty Museum, Ms. 42. Leaf 1v
Philosophy Consoling Boethius and Fortune Turning the Wheel (detail) from The Consolation of Philosophy by Boethius, Coëtivy Master (Henri de Vulcop?), about 1460—70. The J. Paul Getty Museum, Ms. 42. Leaf 1v

A medievalist’s-eye-view of Game of Thrones, season 5. More»

Tagged , , : | 5 Responses
Posted in Art, Art & Archives, Manuscripts and Books

Medieval Meditations on the Human Condition

Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso
Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso

In honor of Day With(out) Art, a selection of images that make us more human. More»

Tagged , , , , : | Leave a comment
Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books

The Ghost That Wasn’t There

A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7
A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7

What does an invisible ghost look like? Um, well, like this. More»

Tagged , , , , : | Leave a comment
Posted in Art & Archives, J. Paul Getty Museum, Manuscripts and Books

Delightfully Horrifying Manuscript Illuminations

Halloween5

Selections from the collection for Halloween. More»

Tagged , , , , , , : | Leave a comment
Posted in Art, Art & Archives, J. Paul Getty Museum, Manuscripts and Books, Scholarship

Revisiting a Florentine Master

Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida.  Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida.  Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in.  Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311
Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida. Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida. Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in. Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311

New research on Pacino di Bonaguida, a central figure in the rise of the Renaissance in Florence. More»

Tagged , , , , , , : | Leave a comment