modern art

Posted in Art, Exhibitions and Installations

Garry Winogrand’s Scenes of Ebulliance, and Unease

Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery
Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery

A retrospective now at the Met captures America’s postwar “out-of-control-ness” More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Transformed by Minor White

Vicinity of Naples, New York / Minor White
The Minor White Archive, Princeton University Art Museum, bequest of Minor White (MWA 55-48). © Trustees of Princeton University

“Two of Minor White’s images helped me to survive.” More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings

Who Was James Ensor?

The Skeleton Painter / James Ensor
Royal Museum of Fine Arts Antwerp. © 2014 Artists Rights Society (ARS), New York / SABAM, Brussels. Image © Lukas-Art in Flanders vzw, photo Hugo Maertens

Belgium’s most eccentric, scandalous, and shocking painter is the focus of an exhibition at the Getty Center this summer. More»

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Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

What Ansel Adams Taught Me

Mt. Williamson, Sierra Nevada, from Manzanar, California / Ansel Adams
© 2014 The Ansel Adams Publishing Rights Trust

The photographer was nothing like this young artist imagined. More»

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Posted in Art, Behind the Scenes, Conservation, Getty Research Institute

Lifted Cellulose Nitrate: Conserving an Early Robert Mapplethorpe Object

Untitled box / Robert Mapplethorpe
© Robert Mapplethorpe Foundation

A conservator’s view of a complex and unusual object by Robert Mapplethorpe. More»

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Posted in Conservation, Getty Conservation Institute, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Posted in Art, Getty Research Institute

Treasures from the Vault: Beatrice Monti della Corte and the Americans

Beatrice Monti della Corte (detail) / Alexander Liberman
Beatrice Monti della Corte (detail), 1962, Alexander Liberman. The Getty Research Institute, 2000.R.19

The glamorous owner of the Galleria dell’Ariete in Milan was key to the careers of Robert Rauschenberg and Jasper Johns, among many others. More»

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Posted in Art, Paintings, Voices

Getty Voices: The Forgotten Surrealist

Wolfgang Paalen with his portrait of Andre Breton
Courtesy Museo Franz Mayer, Mexico City

“A feeling of surprise, even disbelief, that someone so unique could have remained unknown to us for so long.” More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The “Scandalous Life” of César Moro

Photograph of César Moro buried up to his head in sand
Photograph of César Moro buried up to his head in sand, ca. 1935, unknown photographer. César Moro papers. The Getty Research Institute, 980029, box 1, folder 20

Peruvian poet César Moro has received relatively little notice in American scholarship. His poetry, artwork, and activities within and without the surrealist movement in Paris, Mexico City, and Lima remain little examined. But the Getty Research Institute exhibition Farewell to… More»

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Posted in Getty Research Institute, Paintings

Vitaly Komar: Exploring the Lines Between Us

Where is the Line Between Us?, Komad and Melamid, and Douglas Davis

Komar and Melamid created canvases to represent the most wanted (and unwanted) visual imagery for different countries. The results were telling, and hilarious. More»

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      A courtly strut along a winding path. 

      The decorated border reveals perhaps a C, an X, and a Y. It’s difficult to make out, but these initials likely hold the key to the manuscript’s unknown patron.

      #NowOnView in the new rotation of Chivalry in the Middle Ages

      Young Men and Women Outdoors, about 1460 - 1470, French. J. Paul Getty Museum.

      09/22/14

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