Pacific Standard Time

Posted in Art, Getty Foundation, Research

Pacific Standard Time: LA/LA Begins Today

Caixa de fazer amor / Teresinha Soares
Photo: Miguel Aun. Courtesy of Teresinha Soares

A major new initiative to study and celebrate Latin American and Latino art. More»

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Posted in Art, Getty Research Institute, Paintings, Research

Frederick Hammersley Foundation Donates Archive to the Getty Research Institute

Page from Notebook 3 / Frederick Hammersley
Page from Notebook 3, Frederick Hammersley, 1978. Artwork © Frederick Hammersley Foundation

“Despite their precise lines and construction, Hammersley’s work displays a personal touch, guided by his belief in intuition as an important principle for art making.” More»

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Posted in Art, Education, Photographs, Film, and Video

Time to Focus: Community Photoworks 2013

Student photo by Jesus Martinez
Photo by student Jesus Martinez

“I learned not to rush taking the picture, to capture the moment when you think it’s ready.” More»

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Posted in Architecture and Design, Exhibitions and Installations, Getty Foundation, Philanthropy

L.A.’s Modern Architecture Gets Its Due with “Pacific Standard Time Presents”

Pacific Standard Time Presents: Modern Architecture in L.A.

Taking one’s own city for granted is perhaps not uncommon, but next spring Angelenos will have a fresh lens through which to reconsider our recent past with Pacific Standard Time Presents: Modern Architecture in L.A. Announced just a few weeks… More»

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Posted in Architecture and Design, Getty Foundation, Philanthropy

New SCI-Arc Media Archive Allows Forward-Oriented Institution to Look Back

Frank O. Gehry from the SCI-Arc Media Archive

On an elegant white background, I see familiar faces, many of whom are much younger and in their prime: Charles and Ray Eames in black and white; a dark-haired, mustachioed Frank Gehry; and Reyner Banham, the keen observer of early-1970s… More»

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Posted in Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

The Case of the Broken Wax Banana

Untitled with broken peel / Robert Graham

This is the third in a series of conservators’ reflections on artworks in Pacific Standard Time. Robert Graham’s sculpture Untitled came to the Museum last October for Crosscurrents in L.A. Painting and Sculpture 1950-1970. It’s a small wax banana resting… More»

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Posted in Behind the Scenes, Conservation, Sculpture and Decorative Arts

Art with an On-Off Switch: Restoring Stephan von Heune’s Tap Dancer

Tap Dancer by Stephan van Huene, with base panels removed to reveal components inside base

This is the first in a series of conservator’s reflections on artworks in Pacific Standard Time. Stephan van Huene is recognized for his acoustical sculptures—which he called “machines”—that combine movement and sound. With the flip of a switch, the sculpture… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Research Institute

Pacific Standard Time Takes Berlin

PSTinBerlin: The Martin-Gropius-Bau in Berlin, with the Kunst in Los Angeles banner flying high

Pacific Standard Time officially ended in Los Angeles on March 31, but it continues nearly 6,000 miles away in Berlin. Pacific Standard Time: Kunst in Los Angeles 1950–1980 opened at the Martin-Gropius-Bau in Berlin on March 15th. With double the… More»

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Posted in Photographs, Film, and Video

L.A.’s Cinematic Experiment, Then and Now

Kenneth Anger and Raymond Rohauer in front of the Cinema Theatre, Los Angeles, 1964

Los Angeles is known as a Hollywood town, but our film scene has always been about more than stars and blockbusters. Throughout the Pacific Standard Time era, experimental cinema screened across town and played a major role in the art… More»

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Posted in Behind the Scenes, J. Paul Getty Museum

In Studio: John Mason

Artist John Mason in his studio, January 8, 2012

On January 8 sculptor John Mason opened his studio and shared insights into his creative process with us and a group of eager participants. The event was part of “In Studio,” a program we in the Museum’s Education Department organized… More»

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      gettypubs:

      COBALT

      The histories of many colors are amazing, but cobalt may well have the most brilliant of them all. From the Ming Dynasty to Renaissance Italy, cobalt was a popular glaze for porcelain and other ceramics. Cobalt ink is invisible unless exposed to flame, which turns it a vivid green. In the 17th century, this quality made Europeans believe it was witchcraft, but decades later it was used as a neat trick on fire screens. It wasn’t until 1802 that painters added cobalt to their palette. 

      It is this little tidbit from cobalt’s history that saved master forger Han van Meergeren’s skin after WWII, when he was tried for collaborating with the Nazis. Want to find out how some art history sleuthing and smart science got him a not guilty verdict? Hint: Don’t try to forge a Vermeer with cobalt! 

      Read all about it in The Brilliant History of Color in Art!

      Images, clockwise:

      Glazed earthenware dish with a marchant ship, Italy, about 1510. 

      Glazed earthenware tile floor, Spain, about 1425-50.

      Porcelain lidded vase, China, about 1662-1772.

      All objects from the J. Paul Getty Museum. 

      12/18/14

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