Pacific Standard Time

Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Looking at Los Angeles through the Lens

Los Angeles / Garry Winogrand

Much of what the world sees of L.A. is in movies or on TV. But a new exhibition opening today at the Getty Center offers an enticing glimpse of the city’s past through the lenses of photographers—some well known, some… More»

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Posted in Behind the Scenes, Conservation, Exhibitions and Installations

How Do You Conserve a Dancing Sculpture? Magic.

tap_dancer
Collection of Nancy Reddin Kienholz. Artwork © Petra von Huene, Hamburg

Recently, we needed a little magic to get a sculpture in working order. Stephan von Huene’s Tap Dancer—which springs to life every half hour in the first room of our Crosscurrents exhibit—hadn’t danced since 2003, when it was on display… More»

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Posted in Education, Exhibitions and Installations, J. Paul Getty Museum

Question of the Week: Is It Still a Man’s World?

Car Hood / Judy Chicago

In 1964, while a student in UCLA’s graduate program in painting and sculpture, artist Judy Chicago enrolled in auto-body school—the only woman in a class of 250 men. They were all there to learn how to custom-paint cars with candy-colored… More»

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Posted in Exhibitions and Installations

Pacific Standard Time Is for Kids!

Exploring De Wain Valentine’s Gray Column. Photo: Damon Cason Reiser. From J. Is a Bird
Exploring reflections in De Wain Valentine’s Gray Column. Photo: Damon Cason Reiser. From J. Is a Bird

If you’re a parent, you might be wondering whether Pacific Standard Time is safe for tender eyes. It’s true that several PSTinLA shows tear into grown-up themes, from feminist protest to LGBTQ aesethetics, but there are also plenty of ways… More»

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Posted in Education, J. Paul Getty Museum

Will the Real Los Angeles Please Stand Up?

Reed Johnson (moderator) with, from left, filmmakers Thom Andersen and William Friedkin and film critics Richard Schickel and Kenneth Turan

Impersonal concrete sprawl. A surfer’s paradise. A dark battleground of grisly crimes. Los Angeles is a regular character in the movies, on TV, in books, and in art, but its identities are as numerous as its roles. The recent conference… More»

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Posted in Exhibitions and Installations, Getty Conservation Institute

Talking with Artist De Wain Valentine

De Wain Valentine polishing one of his eight-foot-diameter polyester Circles in his Venice studio in the late 1960s

One of the most influential sculptors active in Los Angeles in the 1960s and ’70s, De Wain Valentine is perhaps best known for his large-scale polyester resin sculptures of simple geometric forms that interact intensely with the surrounding light. Not… More»

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Posted in Getty Research Institute

Women Curators Remember the L.A. Art Scene in the Sixties

women_curators

In the 1960s and ‘70s, L.A.’s art scene arrived. How this came about, and what it was like to be part of the big shift, was the focus of a recent conversation with curators Barbara Haskell, Jane Livingston, and Helene… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Research Institute

Al’s Wall

als_wall

Allen Ruppersberg is known for creating artworks that masquerade as ordinary objects, such as a diner, a hotel, a novel—and now, a wall. The artist spent a Thursday in September at the Getty Research Institute creating L.A. in the 70s,… More»

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Posted in Education, Exhibitions and Installations, Sculpture and Decorative Arts

To Walter with Love: Ed Kienholz’s “Walter Hopps Hopps Hopps”

Walter Hopps Hopps Hopps / Edward Kienholz

Sometimes, only a friend will tell you what they really think. Take the case of artist Ed Kienholz and curator Walter Hopps. Kienholz’s over-life-size assemblage portrait of his friend, Walter Hopps Hopps Hopps—the inspiration for our collage meet-up this Saturday—is… More»

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Posted in Exhibitions and Installations, Paintings, Sculpture and Decorative Arts

It Happened in L.A.: Artists Turn to Zen

Little Big Horn / Peter Voulkos

Artists’ studios aren’t generally thought of as meditative places. The stereotype is one of disarray—an image comes to mind of paintbrushes, sculpting tools, or other instruments of the trade strewn about a room, as if to signal an unruly creative… More»

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      dominusvenustas:

      Andrea del SartoVarious studies, c.1520’s

      Son of a tailor (sarto). Andrea became one of the best loved artists of Florence. Vasari had good things to say about him.

      …Andrea del Sarto, in whose single person Nature and art showed all that painting can achieve by means of drawing, colouring and invention: and indeed if Andrea had possessed a little more boldness and daring of spirit, to match his very profound judgement and talent as a painter, he would, there is no doubt at all, have been without equal. 

      Browning wrote poems about him:

      Ah, but a man’s reach should exceed his grasp,
      Or what’s a heaven for?

      His drawings are natural, graceful and sensitive, an excellent draughtsman.

      …and he was very much in love with his wife… (something we don’t often hear about Renaissance artists!)

      Our curator Julian Brooks is in Florence now researching del Sarto for an exhibition in 2015.


      05/22/13

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