portraits

Posted in Ancient World, Antiquities, Getty Villa, J. Paul Getty Museum

Power in a Mummy Portrait

Mummy Portrait of Isidora / Isidora Master
Mummy Portrait of a Woman (detail), about A.D. 100–110, attributed to the Isidora Master. Linen, pigment, and gold; encaustic on wood, 18 7/8 x 14 3/16. The J. Paul Getty Museum, 81.AP.42

This woman is still beautiful and self-assured, 2,000 years after her portrait was painted. More»

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Posted in Art, Photographs, Film, and Video

A Love Story Told in Pictures

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The greatest romance of the 19th century, captured on camera. More»

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Posted in Art, J. Paul Getty Museum, Paintings

A “French ‘Mona Lisa’” Comes to L.A.: Manet’s “Portrait of Madame Brunet”

Portrait of Madame Brunet / Edouard Manet

Museum-quality paintings by Édouard Manet still remaining in private hands are exceptionally rare, and the Getty Museum is extremely fortunate in its most recent addition to the paintings collection: Manet’s Portrait of Madame Brunet, which goes on view at the… More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

Cellini Gets a Rival

Double Head / Francesco Primaticcio

A beautiful bronze Double Head, attributed to the Italian sculptor Francesco Primaticcio, has just joined the Museum’s collection. Though made by an Italian, it was commissioned by a Frenchman: Francis I, the king of France, for his palace at Fontainebleau… More»

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Posted in Art, Education, J. Paul Getty Museum

Question of the Week: Demure or Coquettish? Revealing or Concealing?

Bust of Madame Recamier, Joseph Chinard, about 1801–1802. Terracotta, 24 7/8 in. high. The J. Paul Getty Museum, 88.SC.42

Can an artist do justice to a beautiful woman? This sensuous terracotta bust by Joseph Chinard captures the elegance and grace of legendary beauty Juliette Récamier, a socialite renowned for her wit and notorious for her love affairs. Holding a… More»

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Posted in Art, Education, J. Paul Getty Museum, Paintings

Question of the Week: Does Art Have to Be Serious?

Self-Portrait, Yawning, Joseph Ducreux, before 1783. Oil on canvas, 45 x 35 in.

Nowadays, seeing a silly picture of a person is hardly unusual. Showing personality is a good thing. Social customs weren’t quite the same in 18th-century France, when Joseph Ducreux painted this self-portrait. An official court painter, he was known for refined… More»

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Posted in Art, Education, J. Paul Getty Museum, Sculpture and Decorative Arts

Question of the Week: Is It Better for a Leader to Be Loved, or Feared?

Bust of Emperor Caracalla, Bartolomeo Cavaceppi, Italian, Rome, about 1750–70. Marble, 28 in. high

Question of the Week is a series inspired by our Masterpiece of the Week tours, offered daily at 4:00 p.m. Featuring an open and upbeat discussion among visitors and gallery teachers, the tours feature a new object and pose a… More»

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Posted in Art, Paintings

In Need of a Géricault “Fix”

Portrait Study for The Raft of the Medusa, Théodore Géricault, 1818–19

Even though it’s been more than a decade, I remember it as though it were yesterday. Like so many art history students, I made my first pilgrimage to the Louvre—tantamount to mecca for an art nerd like me—to feast my… More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Robert Weingarten on His Photography

Amish 10, Lancaster County, PA, Robert Weingarten, 2001. 15 9/16 x 19 5/8 in. The J. Paul Getty Museum, Gift of Alvin and Heidi Toffler

Robert Weingarten’s work spans the possibilities of photography—from traditional black-and-white prints to digital mashups composed entirely in Photoshop. In advance of his lecture at the Getty Center this Thursday, September 16, I spoke to him about his approaches to photography—and… More»

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Posted in Antiquities, Paintings, Photographs, Film, and Video

An Alternative Beauty Pageant

Young Italian Woman at a Table / Cézanne

Tonight is the Miss Universe pageant, in which contestants vied for a title and a Trump Tower apartment by donning swimsuits, evening gowns, and out-there costumes. (Update—Mexico won.) But beauty queens are just so bland compared to the women that… More»

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      It’s only temporary!

      We’re saying “see you later” to Modern Rome as it travels abroad to reunite with its sibling paintings at the first major retrospective of Turner’s late work.

      #LateTurner

      08/29/14

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