portraits

Posted in Art, Photographs, Film, and Video

A Love Story Told in Pictures

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The greatest romance of the 19th century, captured on camera. More»

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Posted in Art, J. Paul Getty Museum, Paintings

A “French ‘Mona Lisa’” Comes to L.A.: Manet’s “Portrait of Madame Brunet”

Portrait of Madame Brunet / Edouard Manet

Museum-quality paintings by Édouard Manet still remaining in private hands are exceptionally rare, and the Getty Museum is extremely fortunate in its most recent addition to the paintings collection: Manet’s Portrait of Madame Brunet, which goes on view at the… More»

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Posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

Cellini Gets a Rival

Double Head / Francesco Primaticcio

A beautiful bronze Double Head, attributed to the Italian sculptor Francesco Primaticcio, has just joined the Museum’s collection. Though made by an Italian, it was commissioned by a Frenchman: Francis I, the king of France, for his palace at Fontainebleau… More»

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Posted in Art, Education, J. Paul Getty Museum

Question of the Week: Demure or Coquettish? Revealing or Concealing?

Bust of Madame Recamier, Joseph Chinard, about 1801–1802. Terracotta, 24 7/8 in. high. The J. Paul Getty Museum, 88.SC.42

Can an artist do justice to a beautiful woman? This sensuous terracotta bust by Joseph Chinard captures the elegance and grace of legendary beauty Juliette Récamier, a socialite renowned for her wit and notorious for her love affairs. Holding a… More»

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Posted in Art, Education, J. Paul Getty Museum, Paintings

Question of the Week: Does Art Have to Be Serious?

Self-Portrait, Yawning, Joseph Ducreux, before 1783. Oil on canvas, 45 x 35 in.

Nowadays, seeing a silly picture of a person is hardly unusual. Showing personality is a good thing. Social customs weren’t quite the same in 18th-century France, when Joseph Ducreux painted this self-portrait. An official court painter, he was known for refined… More»

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Posted in Art, Education, J. Paul Getty Museum, Sculpture and Decorative Arts

Question of the Week: Is It Better for a Leader to Be Loved, or Feared?

Bust of Emperor Caracalla, Bartolomeo Cavaceppi, Italian, Rome, about 1750–70. Marble, 28 in. high

Question of the Week is a series inspired by our Masterpiece of the Week tours, offered daily at 4:00 p.m. Featuring an open and upbeat discussion among visitors and gallery teachers, the tours feature a new object and pose a… More»

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Posted in Art, Paintings

In Need of a Géricault “Fix”

Portrait Study for The Raft of the Medusa, Théodore Géricault, 1818–19

Even though it’s been more than a decade, I remember it as though it were yesterday. Like so many art history students, I made my first pilgrimage to the Louvre—tantamount to mecca for an art nerd like me—to feast my… More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Robert Weingarten on His Photography

Amish 10, Lancaster County, PA, Robert Weingarten, 2001. 15 9/16 x 19 5/8 in. The J. Paul Getty Museum, Gift of Alvin and Heidi Toffler

Robert Weingarten’s work spans the possibilities of photography—from traditional black-and-white prints to digital mashups composed entirely in Photoshop. In advance of his lecture at the Getty Center this Thursday, September 16, I spoke to him about his approaches to photography—and… More»

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Posted in Antiquities, Paintings, Photographs, Film, and Video

An Alternative Beauty Pageant

Young Italian Woman at a Table / Cézanne

Tonight is the Miss Universe pageant, in which contestants vied for a title and a Trump Tower apartment by donning swimsuits, evening gowns, and out-there costumes. (Update—Mexico won.) But beauty queens are just so bland compared to the women that… More»

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Posted in Architecture and Design, Art, Paintings

Name Those Irises (and Win a Book from Getty Publications)

Eyes (detail) - can you guess the artist?

When we set out to design this blog, we looked at irises—lots of them. We asked curators and members of the blog team to pick favorite irises, both literal and metaphorical. There were camera irises, like those in the cache… More»

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      From you have I been absent in the spring,
      When proud-pied April, dressed in all his trim,
      Hath put a spirit of youth in everything,
      That heavy Saturn laughed and leaped with him,
      Yet nor the lays of birds, nor the sweet smell
      Of different flowers in odor and in hue,
      Could make me any summer’s story tell,
      Or from their proud lap pluck them where they grew.
      Nor did I wonder at the lily’s white,
      Nor praise the deep vermilion in the rose;
      They were but sweet, but figures of delight,
      Drawn after you, you pattern of all those.
      Yet seemed it winter still, and, you away,
      As with your shadow I with these did play.

      —William Shakespeare, born April 23, 1564

      Vase of Flowers (detail), 1722, Jan van Huysum. The J. Paul Getty Museum

      04/23/14

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