rare books

Posted in Getty Research Institute, Manuscripts and Books, Photographs, Film, and Video, Research

100,000 Digitized Art History Materials from the Getty Research Institute Now Available in the Digital Public Library of America

Barnsdall Park / Julius Shulman
Barnsdall Park, Shulman Retrospective (Los Angeles, California), 1969, photographed by Julius Shulman. Print: Frank Taylor. The Getty Research Institute, 2004.R.10 (Job 4460)

There’s a new place to explore digital treasures from the vast collections of the Getty Research Institute. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute, Manuscripts and Books

When Spray Cans Meet Quill Pens

Work by Krush, featured on a wall curated by Axis at ESMoA’s “Scratch” exhibit 
Courtesy Getty Research Institute
Work by Krush, featured on a wall curated by Axis at ESMoA’s “Scratch” exhibit Courtesy Getty Research Institute

A new exhibition pairs rare books from the 15th to 18th centuries with a contemporary collaboration between Los Angeles graffiti artists. More»

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Posted in Art, Getty Research Institute, Manuscripts and Books, Research

16th-Century Album Records Social Network of Europeans in Istanbul

Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24
Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24

Newly acquired “book of friends” provides insight into European contact with the Ottoman Empire. More»

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Posted in Exhibitions and Installations, Getty Research Institute, Voices

Getty Voices: Aztec Idols, Explorers, and Egyptomania

Bust of an Aztec Priestess / Jean Massard the Elder
Bust of an Aztec Priestess, Jean Massard the Elder. Lithograph in Alexander von Humboldt, Vues des Cordillères, et monumens des peuples indigènes de l'Amérique (Paris, 1813), plate 1. The Getty Research Institute, 85-B1535

How did one of the 19th century’s greatest scholars misidentify an Aztec sculpture as Egyptian? Simple: Egyptomania. More»

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Posted in Art, Getty Research Institute, Manuscripts and Books, Voices

Artists of the Getty Graffiti Black Book on Style, Street Art, and Special Books

Gorgs
Page by Gorgs from the artists' book L.A. Liber Amicorum

Hear from prominent graffiti artists who helped shape a 143-artist collaboration representing L.A. street art. More»

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Posted in Art, Manuscripts and Books, Research, Voices

Graffiti Black Book | Getty Voices

LALiberAmicorum_earlymeeting
One of the first looks at some of the pages for the Getty Graffiti Black Book. We examined a few of our special collections volumes to compare illustrations.

A cross-century, cross-community collaboration between L.A. graffiti and tattoo artists—in the tradition of Albrecht Dürer. More»

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Posted in Art, Gardens and Architecture, Manuscripts and Books, Voices

Getty Voices: Renaissance Gardens

bourdichon_featured

A journey through Renaissance gardens and their paradoxes: natural and artificial, sin and salvation, virtue and vice. More»

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Posted in Art, Getty Research Institute, Prints and Drawings

Beware Cupid’s Arrow! French Print Reveals Dangers of Romantic Mix-Ups

Detail of the Exchange of Arrows Between Death and Cupid / Pierre Landry
Unlikely.

It could happen to you: comic mix-ups, near-death encounters, and other tales of accursed romance from French prints at the Getty Research Institute. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Treasures from the Vault: Needlework Pattern Books

Pattern books from the GRI's collection in a display case, summer 2012

Copies of pattern, model, and sample books for needlework are among the rarest of early modern printed books to survive intact. The reason is simple: virtually all such books were considered “working copies,” and leaves were torn out to be… More»

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Posted in Art, Getty Center, J. Paul Getty Museum, Manuscripts and Books

Have You Seen an Illuminated Manuscript Lately?

The Flight into Egypt / French
The Flight into Egypt, French, about 1420-1430, tempera colors, gold paint, gold leaf, and silver paint on parchment. The J. Paul Getty Museum, Ms. 19, fol. 59

The Getty Center is one of few places in the United States where you can see medieval and Renaissance illuminated manuscripts year-round. With three or four exhibitions per year drawn almost exclusively from the permanent collection, in addition to major international… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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