religious art

Posted in Art, Manuscripts and Books

Medieval Meditations on the Human Condition

Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso
Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso

In honor of Day With(out) Art, a selection of images that make us more human. More»

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Posted in Art, Exhibitions and Installations, Getty Villa

Myth and Miraculous Performance: The Virgin Hodegetria

Icon with the Virgin and Child / Byzantine
Image courtesy of the Byzantine Museum, Kastoria, no. 457

Revered in Constantinople, the icon known as the Virgin Hodegetria was believed to hold special powers. More»

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Posted in Ancient World, Antiquities, Voices

Mystery Cults and the Mother Goddess

Orphic Prayer Sheet / Greek
Orphic Prayer Sheet, Greek, 350-300 B.C. Gold, 1 7/16 x 7/8 in. The J. Paul Getty Museum, 75.AM.19. Gift of Lenore Barozzi

Only initiates could take part in the rites of the mystery cult, and they were forbidden to ever speak of what occurred. More»

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Posted in Ancient World, Antiquities, Education, Getty Villa, Voices

Getty Voices: Digging the Sacred

Engraved Gem (Snake-legged Creature)
Engraved gem with snake-legged creature, Unknown, Roman, 200 - 400 A.D., The J. Paul Getty Museum.

“I can really appreciate the ancient system where borrowing, amalgamating, and generally mixing it up was perfectly acceptable.” More»

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Posted in Conservation, J. Paul Getty Museum, Paintings

Madonna and Child Visit from Hearst Castle

Madonna and Child / school of Duccio di Buoninsegna

Starting tomorrow, a golden Virgin and Child from Duccio di Buoninsegna’s workshop will be adorning the Getty Center paintings galleries (North Pavilion, Gallery 201). Paintings by Duccio are astoundingly rare—there are fewer than 15 in existence, the Maestà in Siena… More»

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      The boxer is resting in the Getty Museum’s galleries through November 1.

      He’s older, he’s muscular, he’s exhausted. This less than idealized figure is typical of the Hellenistic style of sculpture that celebrated the portrait as a way to portray emotion.

      So what do you think, did he win or lose?


      Seated Boxer, “The Terme Boxer,” 300–200 B.C., bronze and copper. Museo Nazionale Romano—Palazzo Massimo alle Terme, Rome. Su concessione del Ministero dei beni e delle attività culturali e del turismo—Soprintendenza Speciale per il Colosseo, il Museo Nazionale Romano e l’area archeologica di Roma. Photo © Vanni Archive / Art Resource, NY

      08/01/15

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