special collections

Posted in Art, Exhibitions and Installations, Getty Research Institute

Yvonne Rainer in Her Own Words

Yvonne Rainer at the Getty Research Institute

Hear artist Yvonne Rainer read from her diaries. More»

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Posted in Art, Behind the Scenes, Getty Research Institute

Alphabet Szoup

H is for Haring
H is for Haring

A look inside the artist files of legendary curator Harald Szeemann. More»

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Posted in Art, Behind the Scenes, Getty Research Institute, Research

Unlocking Archives through Digital Tech

Decourcy McIntosh, Thomas Gaehtgens, and Gail Feigenbaum
In the Special Collections Reading Room, workshop participants look inside an art dealer's photograph album. Foreground, left to right: independent scholar Decourcy McIntosh, Research Institute director Thomas Gaehtgens, and associate director Gail Feigenbaum.

The vast archives of the Getty Research Institute contain many stories yet untold. More»

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Posted in Architecture and Design, Getty Research Institute, Research

The Fiery Career of Architecture Critic Ada Louise Huxtable

Ada Louise Huxtable with Richard Meier in 1996
Photo: Vladimir Lange

“I wanted her attention, but I was scared of it…She was tough, but her words were beautiful.” More»

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Posted in Exhibitions and Installations, Getty Research Institute, Photographs, Film, and Video

Photographs of Africa from the Late 1800s

Women from Zanzibar, plate 40 / Edouard Foa
Women from Zanzibar, 1893, Edouard Foà. Albumen print in Views of Africa: Zanzibar et Côte-Quiloa-Dar es Salam-Tanga-Somalis, plate 40. Mount: 9 x 11 1/4 in. The Getty Research Institute, 93.R.114.1.2

Six albums by French explorer Edouard Foà reveal African society at the turn of the 20th century. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Colorful Board Game Turns the French Colonies into Child’s Play

Trading Game: France - Colonies / O.P.I.M.
Trading Game: France—Colonies, 1941, O.P.I.M. (Office de publicite et d'impression), Breveté S.G.D.G. Lithograph on linen, 22 7/8 x 32 1/4 in. The Getty Research Institute, 970031.6

Through game play, French children master the craft of colonialism. More»

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Posted in Behind the Scenes, Getty Research Institute, Research

The Art of Search and Rescue

Dr. Frederick Pleasants at the Central Collecting Point / Johannes Felbermeyer
Dr. Frederick Pleasants with the 40,000th picture recovered at the Central Collecting Point in Munich, where Nazi-looted artwork was assembled and redistributed after the war. Photo by Johannes Felbermeyer. The Getty Research Institute, 89.P.4

Rare documents and photographs in the Research Institute’s collections tell the real-life story of key Monuments Men (and Women). More»

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Posted in Exhibitions and Installations, Getty Research Institute, Voices

Getty Voices: Aztec Idols, Explorers, and Egyptomania

Bust of an Aztec Priestess / Jean Massard the Elder
Bust of an Aztec Priestess, Jean Massard the Elder. Lithograph in Alexander von Humboldt, Vues des Cordillères, et monumens des peuples indigènes de l'Amérique (Paris, 1813), plate 1. The Getty Research Institute, 85-B1535

How did one of the 19th century’s greatest scholars misidentify an Aztec sculpture as Egyptian? Simple: Egyptomania. More»

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Posted in Behind the Scenes, Getty Research Institute, Research

Form versus Function: Rare Journals Acquired by the Getty Research Institute

Cover, Das Interieur
Cover, Das Interieur, 1904, Vol. 5, Part 2 (July–December). The Getty Research Insitute, 88-S330

New acquisitions provide researchers crucial context for two key international art movements—Jugendstil and Concrete Art. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute, Voices

Encounters with Indigenous Mexico | Getty Voices

The Zocalo, Mexico City / Cartas de relacion
The Zócalo, Mexico City's main square, depicted soon after the Spanish Conquest. Detail from Tenochtitlan, woodcut in Hernán Cortés, Cartas de relación (Nuremberg, 1524). The Getty Research Institute, 93-B9631

“There is so much to think over that I do not know how to describe it, seeing things as we did that had never been heard of or seen before, not even dreamed about.” More»

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      The Union Oil Center was completed in 1958 and became the highest building in downtown Los Angeles (mostly thanks to the convenient hill it is situated upon). 

      This neighborhood became known for the 19th century oil boom. However, come the ’90s, the building was up for demolition. Saved by Hollywood, this building became the Los Angeles Center Studios complete with a “vertical backlot.” What other SoCal oil buildings have transformed in time? The Huntington has one.  

      We’re teaming up The Huntington’s tumblr to bring you historic Los Angeles images on Wednesdays through August 6 as part of No Further West.

      Union Oil Center, 1957, Julius Shulman. Getty Research Institute. Julius Shulman Photography Archive.

      07/23/14

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