stained glass

Posted in Art, Exhibitions and Installations, Manuscripts and Books

Art and Experience in Canterbury and L.A.

Installation view of Canterbury and St. Albans at the Getty Center
Inside Canterbury and St. Albans at the Getty Center. Pages from the St. Albans Psalter, foreground: Bibliothek Hildesheim. Stained-glass panels from the Ancestors of Christ Windows, Courtesy Dean and Chapter of Canterbury

A medieval prayer book was a personal liturgical space. Small and portable, one needed only to open the book to enter. More»

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Posted in Art, Exhibitions and Installations

The Miracles at Canterbury

Thomas Becket Window / Canterbury
St. Thomas Becket Window (detail), made in 1919 from fragments of 13th-century glass, Canterbury Cathedral. Photo: TTaylor via Wikimedia Commons

Born from Thomas Becket’s martyrdom on December 29, 1170, the stained glass in Trinity Chapel at Canterbury Cathedral reveals some of the most fascinating tales of the miraculous. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum

Bigger Than Ourselves: Episcopal Priest Dr. Gwynne Guibord on Finding the Sacred through Art

Panels from the Ancestors of Christ Windows, Canterbury Cathedral, England, 117880. Colored glass and vitreous paint; lead came. Courtesy Dean and Chapter of Canterbury
Panels from the Ancestors of Christ Windows, Canterbury Cathedral, England, 1178–80. Colored glass and vitreous paint; lead came. Courtesy Dean and Chapter of Canterbury

“All space, all beings, and all creation is sacred—but we don’t walk through life seeing it that way. Art offers a transition, helping us leave behind the secular world and move into a sacred place.” More»

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Posted in Art, Exhibitions and Installations

The Fearless Modernity of Canterbury Stained Glass

Leonie Seliger and Laura Atkinson
Leonie Seliger and Laura Atkinson, glass conservators from Canterbury Cathedral!

What does Jackson Pollock have to do with medieval stained glass? Leonie Seliger explains. More»

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Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Voices

Getty Voices: Designing Canterbury and St. Albans

The digital rendering of the installation of the pieces.
The digital rendering of the installation of the pieces.

Perfectly angled lecterns and a massive glass wall presented plenty of creative challenges for the designers of the exhibition “Canterbury and St. Albans.” More»

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Posted in Art, Education, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Did Parchment Smell? Your Manuscript Questions, Answered

Jean de Mandeville
Jean de Mandeville

“To make egg tempera paint, egg is mixed with water and pigment, which somewhat neutralizes the decomposition process of eggs, but it is also spread so thinly and dries so quickly that it never really has the chance to rot. Therefore it doesn’t smell.”
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      chivalry-project:

      The Chivalry Project in Person

      Join us Friday and Saturday, July 25 and 26, for the first two installments of our free manuscript-making workshops with artist Becca Lofchie at the Getty Center. Create and illustrate your own rule of chivalry, be it newly invented or tried and true! Handmade rules will be featured here on The Chivalry Project tumblr.

      11am to 3:30pm both days.

      Also to see: Chivalry in the Middle Ages, which inspired the project.

      The Fourth Trumpet (detail), about 1255. (Text 2014.) The J. Paul Getty Museum, Ms. Ludwig III 1, fol. 12v

      07/24/14

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