The Manuscript Files

Posted in Art, Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: Dancing Your Way to the End of the World

The Lamb Defeating the Ten Kings / Spanish

The current exhibition Gothic Grandeur features a number of works illustrating the Apocalypse, the last book of the Bible that recounts Saint John’s vision of the end of time. This leaf comes from a manuscript of the 1200s made in… More»

Also tagged , , , : | Leave a comment
Posted in Art, Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: Medieval Children’s Games

Initial C: The Massacre of the Innocents in a breviary / French

The current exhibition Gothic Grandeur abounds with images in the margin. These charming and often humorous additions, called marginalia (Latin for “things in the margins”), were introduced to manuscript illumination during the Gothic era. In the lower border of this… More»

Also tagged , , , , , , : | 4 Responses
Posted in Art, Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: A Demon Whispering Sweet Nothings

Detail of Initial D: The Fool with Two Demons / Master of the Ingeborg Psalter

One of my favorite details from the current exhibition Gothic Grandeur comes from a French psalter of the early 1200s. A hallmark of Gothic art was an increasing sensitivity to the natural world, which led not only to a new… More»

Also tagged , , , , , : | Leave a comment
Posted in Art, Art & Archives, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: A Medieval Marilyn?

Detail of Saint John the Evangelist Writing / German
Saint John the Evangelist Writing, German, about 1340–50. Tempera colors, gold leaf, and ink on parchment, 17 7/8 x 12 in. The J. Paul Getty Museum, Ms. 108, verso

The luxuriant locks sported by this medieval figure might seem to say more “Marilyn Monroe” than “Saint John.” Both he and the movie star sport hairstyles from the glamorous ‘40s—in the saint’s case, the 1340s. In the Middle Ages, it… More»

Also tagged , , , , , : | 4 Responses
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      Clocking in at a giant 400 square feet, this tapestry, Triumph of Bacchus, teems with tiny details and hidden narratives.

      Here are just three:

      • At bottom center, Bacchus poses on the world’s largest wine fountain.
      • To the left, a sad, Eeyore-like donkey waits for satyrs and men to unload grapes from his back.
      • To the right, a rowdy monkey rides a camel that carries wooden barrels—presumably to be filled with wine.

      The tapestry is one of the highlights of the exhibition Woven Gold: Tapestries of Louis XIV. (L.A. folks: final weekend!)

      More on The Iris: A Tour of the Triumph of Bacchus

      Triumph of Bacchus (overall view and details), about 1560, design by Giovanni da Udine under the supervision of Raphael; woven at the workshop of Frans Geubels, Brussels. Wool, silk, and gilt metal-wrapped thread. Courtesy of Le Mobilier National. Image © Le Mobilier National. Photo by Lawrence Perquis

      04/29/16

  • Flickr